(continued...)
Incomplete Transcription
(FWIW -- for myself, but sharing) (Work in Progress .. continuing to edit, as re-watch this)
...
0:00:18 Intro - Courtney Brown
... A Farsight Production
.. . Intro
CB: What I am about

0:11:05 ... Intro: CB: The target is:

The remote viewer will perceive
the death of a human being
on earth during the
21st Century in which
the soul is totally released
and is not inhibited
in any way after the
death experience.
The viewer will remote view
a death that most clearly
demonstrates that
state or condition.
The viewer will perceive the
subject before his or her death,
the death experience,
and the transition to the
afterlife. The remote viewer
will perceive the subject's
existence after the subject
has settled into its normal
state following the human
death experience.

0:11:40 ... Intro: CB: Now for the subject who does encounter the death traps,
we have a second target: ... and that target is:

The viewer will perceive
the death of a human being
on earth during the
21st Century in which the
soul is inhibited or affected
in some way by external
factors after the
death experience.
The viewer will remote view
a death that most clearly
demonstrates that state
or condition. The viewer
will perceive the subject
before his or her death,
the death experience,
and the transition to the
afterlife. The remote viewer
will perceive the subject's
existence after the subject
has settled into its
normal state following the
human death experience.

0:12:22 ... Intro: CB: So, with these two targets we get a nice comparison. Before you see the work of the remote viewers, let me give you an idea of what to look for while you are watching.

0:12:30 ... We will begin with the sessions for the target where the subjects do encounter the death traps. Now notice these common elements to all three sessions.

First, following their physical death, the subjects all perceive one or more pathways or doors. They are drawn to these pathways like moths to a light. The pathways feel good.

Second, once the subjects enter one of the pathways, they eventually experience an extremely violent that almost seems like being caught in a very loud lightning storm.

Third, following what is essentially an electro-shock treatment, the subjects experience a state of amnesia. It is more complicated than that, but those are the three most important elements to look for.

I will return to summarize and interpret what these sessions offer after you see them. Then we will move onto the next target and see three death events where the death traps are avoided. And this will be useful as a comparison.

Starting with a session by PrinCess Jeanee, then Kamia Dunson, and finally Trudy Benjamin.

0:12:30 ... CB: This is what a deathly encounter with a death traps looks like, from a remote viewing perspective.

(continued...)

(continued...)

0:13:42 ... PrinCess Jeanee'

0:13:42 ... For my first pass to Mysteries 24 Part B, .. my basic gestalt here is structures, land, and subjects. I have a level base surface here with water nearby and very clear skies. I am not seeing much energetics at this second.

0:14:07 ... (slapping face, shaking head) I see several structures. One main important, or large structure. Very odd shape. Not a typical rectangular shape. It's more (moving hands) ... Not even dome, it's curved from the bottom up (continuing to gesture). Very onion-shaped or spade-like. (gesturing) It's kind of fancy-ish. I guess, like the type of buildings you would see in the middle-east?

0:14:42 ... I have mountains behind the very complicated structure.

0:14:48 ... Lots of nearby movement and energy. This is a very complex visual. The unusual structure feels like a tall, fancy cathederal. It has steep peaks and is very asymmetrical. It's a little fancy and there are lots a energetics and frantic movement around this structure.

0:15:19 ... (hand movements) Booming sounds. Roaring. Many subjects with lots of activity.

0:15:25 ... Moving to the center of the target. I can't see much of the activity.

0:15:32 ... Moving to the center of the target. There are a lot of running motions. Bom-barting? like charging. towards the structures, or involving the structures. Something is under attack. There is booming. There is shouting. .

0:15:55 ... This feels more like the beginning of the war. Like it's starting versus Me seeing and catching this in the middle. There's explosions, everything is shakey. It's shaking. Everything is like (gesturing, grunting). Ahhhh! It's loud. It's roaring.

0:16:17 ... This is a very angry like.. battle.

0:16:21 ... Moving to the center of the target activity. (pausing, gesturing)

0:16:44 ... There's this non-surface, rounded, but edged, non-surface structure -- (gesturing) -- with lots of lights beaming sparks. It's flying. It can hover. It's Zooming, Gliding, Flying, All of the Above. People are running. There a fight involving this structure. This

0:17:20 ... This feels like there is an extra terrestrial element in a human war. Like aliens versus human or maybe they're working to... I can't tell. This doesn't feel llke my last war. This doesn't even feel normal. There's subjects in an aircraft - let's say that. (hands gesturing in air) These subjects don't like these subjects. The subjects in the aircrafts and the subjects on the ground are enemies or are not getting along. I don't know ... I'm focusing in on someone moving ... I'm going to move to the primary target subject 'cause there are too many subject elements to this.

There is a very tall guy. He looks odd. (gesturing with hands around lower face) His face is .. he is smudged. He is dirty. I mean that makes sense. (touching lower face and cheeks) But he looks odd -- different features. Very sllm. Very intellectual. (gesturing patting chest) His heart is beating. It's pounding. He is very nervous. (gesturing w/ arms together in front of body) He is holding onto something, like --hard -- you cannot pry it out of his hands. This object, he's rocking, he's rocking, he's on his knees on the ground, and he's rocking back and forth, and he's bloody a little bit and (gesturing touching face) dirty smudged like he's been in fire -- dirt and soot --
and he's moaning and grunting and he's -- his mind is going crazy -- he is just (gesturing, aaahhh) he is just... His mind is just super crazy right now, he is just ... angry ... this is not his normal disposition. Like, someone pissed him off. He is wearing all black or dark blue type of clothing. But this dude is pissed. Like he is angry and he is flipping and he is enraged, he is, like psychotic, ... bugged out, like my blood is boiling. I like he is fucking angry and cursing and screaming (gesturing, uhhhh). He is enraged. (gesturing, holding head, uhhh).
(break, gesturing)
(fade back in)...
0:20:40 ... I feel like throwing things. I fee like screaming. I feel like punching things. I feel like yelling ... I feel like kicking. I feel like hurting (punches hand into palm) dude

(aaahh holds fingertips ;to temples) ...

0:20:58 ... This is too much. Whatever he is holding onto is very important. He will not let anybody touch it ... It feels like it cold be ... is this a bomb? He feels very sacrificial... and suicidal. Um, schizophrenic, bi-polar. He's crazy. He's angry. He's pissed. He's braced.

0:21:20 ... He's laughing hysterically. He's hysterical. He's laughing. This dude is crazy. He's got some kind of a tech. Like . (holding arms in front of body) He's got this ... just ... I just can't stop movnig...

0:21:42 ... He's very fidgety. He's very (movnig arms, holding arms in front of body) He's holding onto this box -- or object. It's black, it's hard, and he's moving back and forth, and ... he's hurt. He's wounded. He's ticking and he's losing it, and he's

0:22:09 ... How do I ... Is he blowing up? Is he? What the . (holding fingertips to head at temple and moving ) ...

0:22:20 ... (covering eyes) This guy dies a very tragic death. I don't want to see it. I don't ... I cannot handle it. I don't want to see it. I am blocking myself from it. I don't want to know how he dies.

0:22:34 ... But he dies and it's bad. And it's tragic and um.

0:22:50 ... You can see him just detached from his body. I can't ... fuck. i'm going to move to wherever he goes or whatever he is doing after his death. He is gone.

0:23:14 ... But it seems like he is still angry and enraged. ... I can see him walking, and he just left his body behind ... Like I don't even think he knows he's left.

0:23:32 ... He does not even know that he has left! I see doors. It's like

0:21:20 ...

0:21:20 ...

0:25:31 ... This bright path feels very warm., and the subject is attracted to that. And he follows it. And he walks through it, and
it's almost like it just changes. It starts to get darker. It starts to look scarey. The trees change. That brightness turns into this like these darker red and orange tones, and ... It reminds me of lava. (moving hands emphatically) Not hell. It literally reminds me of (moving hands from near head to down by sides) lava, or fire or burnt ... It's very . .. It's harsh. It's a very harsh environment.
.. .
0:26:27 ... Natural environment. I see these trees. scarey looking trees. Mountain, possibly a volcano, cracked broken roads,

0:26:42 ... And he's walking He's just walking. He has this ... Very scarey feel to it. Cemetery like, but it's not a cemetery. It kind of gives you that , that feeling. U, this eery, dark feeling. There's this groaning, and moaning, and roaring sounds. Crackling, like maybe sticks or fire or sparks. Crackling sounds.

0:27:13 ... The guy just walks through it. He's holding on (arms crossed in front of body). And he is getting angry. No. He is not angry right now. But you can feel him getting "riled up", I'll say. He's not angry

0:27:45 ... He comes to this hill. This guy's mind is very dark. He does not have a peaceful mind. He's not cursing and screaming right now, but the dude is still completely insane and crazy. .

0:28:15 ... There is this water. The water is very aggressive, it's rushing, it's hard, there's rocks. It's like, you cannot go through this safely as a person.

0:28:29 ... And he just lays in it. Like face first.Like he just falls into it. He hasn't let go -- of this box -- and he's floating on his front through this rapid rushing water. (grunts)

0:28:15 ... He comes to this city, like there's a hills and then there's a city. And, there's foliage and structures -- very coastal-like feel.

0:29:20 ... This guy's insane, I don't even know if I'm angry, if I'm calm, if I'm okay, if

0:28:15 ...

...

...

(FWIW -- for myself, but sharing) (Work in Progress .. continuing to edit, as re-watch this)
(continued...)

(continued...)

0:51:04 ... Kahmia Dunson

(FWIW -- for myself, but sharing) (Work in Progress .. continuing to edit, as re-watch this)

(continued...)

(continued...)

1:08:05 ... Trudy Benjamin

(FWIW -- for myself, but sharing) (Work in Progress .. continuing to edit, as re-watch this)

(continued...)

(continued...)

1:20:18 ... Comnments CB: ...

(FWIW -- for myself, but sharing) (Work in Progress .. continuing to edit, as re-watch this)

(continued...)