The Following is the Transcripts for the Farsight Project:
Nazis and Reptilians in Antarctica - Part One - THE BASE.

This 2-part remote-viewing documentary conducted at Farsight revises the mainstream historical account of Project Highjump led by Rear Admiral Richard E. Byrd, Jr.

TARGET 1: THE MOST ADVANCED NAZI BASE IN ANTARCTICA, CIRCA THE END OF WWII.

Nazis and Reptilians in Antarctica Part 1: The Base
⦁ Introduction - 0:00
⦁ Kahmia Dunson session Target 1 - 8:52
⦁ Aziz Brown session Target 1 - 24:52
⦁ PrinCess Jeaneé session Target 1 - 1:11:09
⦁ Melena Hall Session Target 1 - 1:35:30
⦁ Trudy Benjamin - 1:45:49
⦁ Target 1 re-cap - 2:10:44

For Remote Viewing Study Purposes.
Please leave your comments, thoughts, & findings on this Project as well.

The video for Part One can be found here:
https://www.farsightprime.com/nazis-and-reptilians-in-antarctica-part-1-the-base/videos/nazis-and-reptilians-in-antarctica-part-1
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Transcript -

Dr Courtney Brown Introduction to Nazi and Reptilian in Antarctica Part One:

Between August 26th 1946 and late February 1947, approximately one year after Germany surrendered at the close of WWII, Rear Admiral Richard Byrd led an expedition to Antarctica called Operation High Jump.
Now at the time, the United States had spent a lot of money on WWII. The end of the War would normally be considered a time to close down Military activities, consolidate gains, save cash – so on. But this expedition to Antarctica involved tremendous resources. Those resources were called Task Force 468 and it involved 13 ships, 33 Aircraft and nearly 5000 men – and that included Destroyers, a Submarine, an Aircraft Carrier, Ice Breakers, a Tanker, a Supply Ships – the works.

Now the stated reason for the Task Force to Antarctica was to gather data – to explore. To see if it was possible to design Air Bases in that cold location, and that type of thing – sort of National Geographic on steroids.

Bur friends… you don’t need 13 military ships, 33 Aircraft and nearly 5000 military personnel to do that, especially for an inhospitable location that you know nothing about. I can see one or two ships and a couple of aircraft to check out the scene, but an entire Armada armed to the teeth, doesn’t seem to match the stated goals of the Expedition.

At least to me, Admiral Byrd’s Expedition to Antarctica just doesn’t seem to make sense if there was no urgent Military reason to go there at the time. Indeed, you simply do not send that of very expensive Military force into a dangerous area like Antarctica unless you have solid intelligence suggesting that there was a clear and urgent need to do so. It just would not happen – it just wouldn’t.

What you are about to see first-hand, is a revision of the Mainstream account of history. We are going to show you data that will explain more than one unexplained mystery involving the Nazi’s, the U.S. Military and Antarctica. What we are about to show you will explain why Admiral Byrd really led that expedition to Antarctica, what happened when he did it and ultimately why U.S. Presidents made a very bad deal by allowing certain Extraterrestrial groups to establish an official presence on, or should I say ‘underneath’ U.S. soil.

The story is quite complicated and chilling in its details so, I encourage everyone to simply hold onto your seats, watch all of the data yourself, and then make up your own mind.

Well, to start to unravel this mystery, most of us have heard rumours about Nazi’s experimenting with disc shaped aircraft by the end of WWII. There have also been rumours of Nazi’s establishing at least base in Antarctica – a location where research could go on without interference from Allied forces.

The Nazi’s did indeed like to have backup plans in case things went wrong, which is why so many Nazi’s fled to South America after the war. The smoothness and rapidness with which that happened suggests that arrangements had been made well in advance for this type of last-minute escape plan. It also makes sense that those fleeing Nazi’s would have wanted to be close to some type of Military Nazi presence just in case.
So, we at Farsight have decided that we should have a look to see how extensive the Nazi presence in Antarctica really was at the end of WWII.

So, a Remote Viewing Target was designed. One that simply said:
TARGET 1: THE MOST ADVANCED NAZI BASE IN ANTARCTICA, CIRCA THE END OF WWII.

Now, if the most advanced Nazi Base was simply a fishing boat that may have run ashore, then that is what we would have gotten. We know that the Nazi’s did in fact have numerous Military boats that went down south in that direction, since some of them got into trouble with the weather and had to dock in the Southern parts of South America. And we know that the Nazi’s did send some expeditions to Antarctica for a variety reasons including the hope of establishing a presence there of some sort – as was done for example by the German explorer Alfred Reicher who led an expedition of Nazi soldiers in Antarctica in 1938. So, clearly there was some long-term interest in that icy realm. And we set our sights on determine exactly how extensive that interest actually was.

I am Courtney Brown, Director of Farsight, where we study a perceptual process known as Remote Viewing.

Remote Viewing is a mental process that is done using highly structured methodologies which are derived from those who developed the United States Military and used for espionage purposes. But Farsight is civilian and we use Remote Viewing for scientific experiments and for exploration.

This new Project conducted at Farsight employs 5 Remote Viewers who are among the most experienced and highly trained Viewers existing today:
Kahmia Dunson
Aziz Brown
PrinCess Jeaneé
Melena Hall
Trudy Benjamin

The Remote Viewers all describe much the same thing - five corroborating reports. Moreover, all the Remote Viewing was done totally blind, and none of the Remote Viewers communicated with one and other about the Project during the data collection phase. This is not science fiction. Told through riveting Remote Viewing conducted under clean scientific conditions – this is as real as it gets.

So, when we began this new Project at Farsight, our Remote Viewers were only told that there was a Target – and that is all that they were told. They did not know that the Target involved the Nazi’s or Antarctica or anything else. Moreover, all of the Remote Viewers did their sessions ‘totally blind’, without communicating with on and other during the data collection phase of the Project. They began their work all entirely solo with Remote Viewing sessions done with paper and pen. After their paper sessions were completed, they continued their work on video - all recorded live, and still totally blind to the targets.

After I retained the Remote Viewing data from our Viewers for the first target of this project – and remember, I only knew what the target was – ‘The Most Advanced Nazi Base in Antarctica circa the end of WWII’, I then designed the second target, since it was clear the second target needed to pull pieces together given what we found out from the results of the first target.

You see, what we found out is that there was a huge Nazi presence in Antarctica at the end of WWII. Moreover, they had help – Extraterrestrial help. And, if fact, very surprising Extraterrestrial help. Clearly the Nazis could not have established a powerful military presence in Antarctica without outside assistance – the environment was just too inhospitable. So, they got help. But we ultimately found out that they got help from 2 very different extraterrestrial groups. More on this later.

After the data from Target One was in hand, I designed a Target for this Project and Target Two is:
TARGET 2: THE MOST SIGNIFICANT BATTLE BETWEEN NAZI FORCES IN ANTARCTICA AND U.S. FORCES, CIRCA THE END OF WWII OR AFTER.

You see, it finally made sense that why Admiral Byrd went to Antarctica with such a large Military presence. He was expecting a fight and as you will soon see, boy, did he get one. But the story is really complicated and so much needs to be explained, you really should just start by seeing the sessions for Target One first. Then I will return, regroup, and introduce the data for the second target.

We had some specific movement exercises built into the project. Movement exercises that sometimes probed for information regarding specific people, groups, and beliefs. The viewers were only told non descriptive labels for these things such as Subject A, or Group 1, or side(?) 2, or belief P1 or P2, and so on. So, when the Viewers probed for these things we will put text on the video that explains what these things are. Remember, that the Viewers only knew the non-descript labels, they did not know the meaning of those labels when they did their sessions.

We have 5 Remote Viewers who worked on this Project so all recorded live on video under ‘blind’ conditions. We begin with the first Target and the data from Kahmia Dunson, then Aziz Brown, PrinCess Jeaneé, Melena Hall and Trudy Benjamin. Here is a very real picture of what happened not too many years ago in and under Antarctica. A Nazi base that was more than a little scary.
(end 08:50)

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Transcript:
The Remote Viewing Session from Kahmia Dunson

⦁ Kahmia Dunson - Target 1 – The Base
TARGET 1: THE MOST ADVANCED NAZI BASE IN ANTARCTICA, CIRCA THE END OF WWII.

(8:52)
I’ve got level topography – looks like flat land.
Maybe a little hilly in some areas but not a whole lot else going on.
I see a lot of white and blues – feels like land and water is here – kind of like a mix of both land and water.
There’s ice, there’s snow – it’s just very cold out here as well.

There’s some kind of pyramid shaped pointy structure here.
And I saw other small little structures around it that kind of look like that (drawing) – but these are just scattered about around this larger structure.

There are subjects here as well.
I feel like they are inside the structure and
There seems to be some non-surface sort of structure here as well (drawing).

Its very quiet here – I don’t really hear a whole lot of sounds – mostly natural sounds.
And it feels like this area is super isolated and dead – doesn’t feel like there is a whole lot going on here.

So now I am going to focus on these target subjects –
The target subjects here feel human – they are a mix of male and female.
They look average – different heights, but mostly the same complexion, light brown, pale brown kind of colour.
Smooth skin – some of them have hair, some of them don’t.
For the most part these are all human subjects here on the base surface.

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Also, these subjects, I feel like they’re wearing these really thick clothing and they all kind of look the same for the most part – maybe there are little differences, but it looks uniformish and matching with all the other subjects here.
Another thing about these subjects here they feel like they are living an everyday life here. It doesn’t feel like a whole lot is happening to them or that they’re doing a whole lot. It just feels like they are going about their day as they normally would.

Collective Deep Mind Probe of these Subjects:
It feels very empty and blank in their minds. They don’t generate emotions like we do now – things happen to them and they’re like: ‘OK’ and then they just move on to the next thing.
There are no deep-rooted emotions that I’m sensing from these subjects – it feels like a wall block or emotions could form, but don’t.
These subjects also feel – I don’t want to say dense – but they feel like they are not as mentally complex as we are today, now.

As I said, these subjects look like humans, there’s nothing really different about them –
They have round eyes – round faces – just like blank stares.
They all feel relatively slim and they all kind of basically look the same (drawing)

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I see two distinct Subjects here –
They basically look the same – a little bit of hair on one, a little bit of hair on the other – regular subjects (drawing).
(From the subjects) I get feelings of slight anxiety or nervousness – a general sense like fight or flight – but nothing crazy here going on.

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Moving to The Entrance of the Pyramid type Structure:
I see this block-looking entrance – its looking like this (drawing) – big, huge,
I see something in the middle of it – something that maybe sits inside on display maybe. But this is what is looking like here – big, vast.
Inside there are a couple of objects here.
There is markings up on the walls and stuff inside.
But there feels like there’s more to it…
Underneath me – when I move into the structure, moving my consciousness through this structure, I sense that it goes deep down and off to the side so its like (drawing) over here, there’s something comes down over here more, there’s something, rooms – areas kind of spread out underneath this structure.
The structure looks this big on the outside (referring to base structure pyramid) but inside the structure there’s a way to get down to like these hidden areas and down inside this structure.

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There’s very much a type of sub-terranean network here and I sense there are a lot of subjects here – a lot more, I mean there are a few up here (on the base surface) but it feels like there are a lot more subjects underneath this structure.

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Focusing on the Leader of these Subjects
The Leader of these subjects feels Male
Relatively average height – build.
Very short hair on its head and looks like everybody else for the most part.
This particular subject looks very much like these (re: other drawn subjects) maybe a little bit of a smaller head.
But basically this is what the leader looks like (drawing)
Round head, round eyes, straight face…
Now also I will tell you, this subject feels real negative –
I sense a lot of negativity and like dark feelings from this subject – I don’t know why – It feels that deep down this subject is upset and thinking negative and dark thoughts.

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Deep Mid Probe of the Leader of the Subjects
It definitely feels again like that sense of contempt, anger, hatred – a grudge almost.
He also feels like he’s ready for something to pop off.
He feels like he’s on edge – I sense a lot of anxiety inside this subject as well.
Another thing I sense from this subject is that they have a slight inferiority complex – they feel very inferior to something else.
I get a lot of ‘wanting to be a winner, wanting to be on top, wanting to be the best’ – just being seen as here (higher) while everybody else is here (low) – they want to be respected.
So, their anger is probably rooted in like they’re not feeling in control – they’re not feeling like they are respected by their peers.
Another thing I’m feeling is like something being seeded – like something seeping and then growing out, so I don’t know if he wants to expand here almost, or if he wants to root here and expand out – but I also get this feeling of being safe and staying safe so…
This is how this person looks to me – doesn’t have any hair – looks like a normal person.
And then the last thing about this subject that I feel – again – like their feeling of being rooted in and seeping out; it doesn’t feel malicious, but I do get the feeling that they want to be in control but don’t want to start a full out war.
Feels like there’s some sort of battle that maybe they want to avoid but want to be the winners of – but that’s how this subject is feeling to me.

The Top Advisor of the Leader of these Subjects
Instantly I’m seeing a subject which has (pause) which does not look human.
This subject does not look human. (drawing)
This subject is looking very much like an ET – he’s got a round head – comes to a point here (chin area) – I see these slanted darker looking eyes – strong facial features – definitely like face caving in – its not warping, or maybe it is, its not but it just looks like lines on his face.
Immediately this guy has a very skeletal looking face to me.
He looks ‘cut’, no hair on his head, a lot of wrinkles and lines on his face – a male subject.
It does feel like this subject is very wise – I don’t want to say wise, but with age comes wisdom – he feels old.
This dude feels like he’s been around for a long time and he knows what he is doing, and he’s done it before.

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Doing a Deep Mind Probe of this Subject again…
I feel like they have been around for a very long time, they have done this before – they have a very strong (manipulation) – they have a very good way of getting what they want out of other beings.
I also feel that things feel very strategic to this subject – it feels like everything is happening for a reason and they’re making it happen for a reason.
They are very much so in control and are watching things pan out and are coming in and manipulating every once in a while, – it does feel like this is a plan of his.
This subject has a need to bring things together and have some sort of community – everyone being a part of a community type thing.

Some Questions to the Subject
Question: The first thing is: Are You a Member of G1?
Onscreen:
G1: Pleiadean Group
G2: Draco Empire
Answer: Yes, this Subject is a Member of G1

Question: (Are you a member of) G2?
Answer: Yes, also.
I get this feeling like ‘eh yeeessss’ – like; look over your shoulder – ‘I don’t want to admit it but I am’ type of thing.

Question: Are all members of G1 members of G2?
Answer: No
Not all members of G1 are members of G2 its just that this subject happens to be.

Question: Do you approve of P1
Onscreen:
P1: Interracial relationships on Earth
Answer: No
This subject doesn’t approve of P1

Question: Do you consider statement A1 to be true?
Onscreen:
A1: Earth is a farm to control sentient life development
Answer: I sense this is a No
But its like a ‘No’ at the end of the day.
Are aspects of it true? – Yes. But at the end of the day is it true? No, not to the subject at least.

Now I’m going to ask this Being Question 1…
Onscreen:
Q1: Why put so much effort into controlling and restricting human behaviour on Earth?
Question: How do you feel about Question One?
Answer: I get this feeling of deep disappointment. It definitely feels like this subject is letting out a big sigh and rolling his eyes and feeling like overall they cannot see the positive aspects or the positive endings that can come out of this. They don’t really see how this is going to end great for them or anyone else involved.

The last thing I want to ask this subject…
Onscreen:
G3: Earth Humans
(Viewer misspoke and said Group 2)
Question: Why do you want to control group 2 so bad? Why do you want to control these other subjects?
Answer: Amusing
I get this feeling like its amusing like when you play little pranks on somebody, you get that little slight bit of amusement. That is how this subject is feeling to me – that he definitely feels like ‘I might not get a whole lot out of this but it’s still fun at the end of the day, and I’m having a great time’. That’s how this subject is feeling to me. Like they’re controlling other subjects because its fun and they’ve done that before and that’s what they like to do. Not saying that its malicious in any way but its entertaining for these subjects, and this subject in particular.

The thing that I’m getting form this subject lastly is ‘seeing where it goes’ and ‘seeing how far we can take it’ – that’s how this subject feels – that’s what this subject is saying to me.
This subject is controlling this group (human subjects) because its funny, its amusing, its entertaining, and they really want to see how far they can take it because ‘why not?’

End of Session (24:52)

Transcript - The Remote Viewing Session from Aziz Brown

Aziz Brown session 1 - Target 1 – The Base
Part A of transcript -
TARGET 1: THE MOST ADVANCED NAZI BASE IN ANTARCTICA, CIRCA THE END OF WWII.

(24:52)
Topography
We have a mostly regular topography area.
There are some rolling hill areas – there seems to be some mountains as well.
I did get a sensation that there were some structures sticking out of this very white hue landscape.
A mushy feeling here – like snow
White hues and some black hues that are harder.
This seems to be the general area of the environment – some minor features that are manmade (structures).
There is a lot of visuals here so were just going to cycle through a lot of the general visuals here.

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It’s a very vast wide environment.
I’m getting the sense of a mountainous environment here (drawing) – and expansive land area – and this hill-ish type of thing, it sort of curves over and there’s this structure on top – boxy man made thing.
This is very spread out so keep that in minds. Its over a very large area – and still the dominant hue is white, so it makes me think of a very snowy environment.
I did a whole lot of flash sketches in the paper sessions – a whole lot of feeling environment within here -
Like these man-made features – there seems to be a whole lot of subjects inside these man-made areas.

Topography Environment
Let me just draw a top-down perspective (left hand upper corner).
There’s a mountain over here.
Seems like there is a circular thing and this seems like a manmade type of thing.
But the distance between these two things is massive – these are very spread out – there’s a huge difference.
(right hand side upper corner drawing)
You’ve got these areas with subjects – males, females – but they all seem like they are in these corridors – this big room – well, its like a hallway really.
There’s people here. It’s not like this barren wasteland with no human activity or subject activity. These people look pretty human (these ones) at this point.
They are in this hallway place - that extends like a hallway.
They’re in this facility - These people have light skin.
These people are here somewhere in this snowy landscape in a structure – and there is some evidence of manmade structures in this environment – like the manmade structure (bottom left) – the circle, this definitely felt like a manmade type of thing -

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Larger full sketch drawing –
So, I’ve got this huge big mountain
And I have an opening in the mountain – a rectangular opening – and there looks like there’s stuff inside – it opens up and there’ all sorts.
It looks kind of darker so, blackish greyish hues on this compared to the overall whiteness of this area – and there seems to be some other type of blackish things (too) – I mean it is a mountain.
It definitely has this manmade opening in the mountain.
And the environment is still that barren-ish, snowy, vast, expanse.
Seems like there are areas which are a little bit more blue – maybe this is some water.
As far as where land is concerned this seems like a white environment – some rolling hills – and Im getting to focus on this one particular mountain that has an opening in it.

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Here we have our mountain in question.
Here we have the rectangular looking opening in the side of the mountain – in the higher edges of the mountain.
We have natural white hilly, snowy slopes – expansive landscape.
We have a non-surface structure – and we have a non-surface structure (drawing) going straight into the mountain – it flies low across this snowy landscape and it goes straight into the structure.

I get the sense from the shape of the non-surface structure that I am getting a triangular (top down drawing upper middle) – it has a semblance like a wing - indents – it’s going into the mountain.
And it definitely seems like subjects involved.

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Sketch 1: Non-surface structure
Inside the non-surface structure – a room that seems angular.
Some subjects here – in chairs – all working at these consoles – seems like there’s all these gizmos and gadgets and stuff at these consoles that these people are working with.
You can see through these – I’m not sure if it’s a window, but something like that.
There’s another subject right here (drawn middle right) – he’s in a position (like in Star Trek world) he’s in that Captains areas position – he’s in the centre of this angular room that seems to have a focus forward.

Probe of the Central Subject –
(drawing a face) He’s got a hat – some sort of headgear on and he’s in uniform – it seems quite a Military-esque uniform.
He’s a light skinned male – in a non-surface structure going into a mountain.
He’s dressed in this black-ish sort of attire – Militay-ish uniform – going into this structure which reminds me of an aeroplane hangar – except for the fact that this one is in a mountain.

From another perspective – drawing 2 (left hand side):
From the people inside the mountain – it does look like an aeroplane hangar type of thing.
The inside perspective – a room with all these objects all around it. Some boxes here – some boxes there.
Then there are subjects over here – over there.
The there’s this non-surface structure (which is the right-hand side drawing) – and this non-surface structure is outside, moving into the hanger –
This is a snapshot from inside the mountain inside the rectangular hanger, looking outwards – and this non-surface structure is outside, but it is coming inside.
There are some subjects here and some objects (boxes) but the inside of the non-surface structure (drawing right hand side) is the inside of the non-surface structure drawn on the left hand side.
I did not see these windows (drawing) but if you can imagine, these are these 2 guys here are these two guys there.
I did not see the windows because it looked like a dark triangular thing, so I’m not saying that this (window) is visible from outside – might be, but that’s what I’m seeing.

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Subjects
Next perspective – What is going on inside the mountain -
1st Subject: We have a couple of subjects (drawing left hand side) – once again, I’m getting this type of Military worker feeling vibe of the uniforms of the subjects that I’m seeing here.
He has a softer hat -
2nd Subject: This guy has sort of a hard headgear helmet.
These guys seem part of the working crew in this environment.
The subject with the helmet seems to be holding some type of object (drawing) – don’t know if it’s a paper or a tablet, something like that – it got information on it.

Further down into the Mountain Hanger –
There’s this huge (non-surface) structure (drawing right hand side) just sort of hanging in there.
It has these things coming down – like hoists – attachments. And the hanging (non-surface) structure is like a very triangular shaped (non- surface) structure – it’s very large – reminds me of the (non)structure that flew into this area – so further bolstering the idea of a ‘Aircraft Hanger’ type of place – or a ‘non-surface structure hanger’ type of place.
Looks like there’s large objects that look like non-surface structures being stored in this type of environment.

There’s also this sort of room (drawing top left) attached to the ceiling – there’s these window type of things up there – and these do like windows – enough to make me confident.
There are subjects in the room.

There is man-made land (drawing along bottom right) like a garage floor, warehouse floor – and there are these big boxes – there’s objects – there is other subjects moving around just doing work, holding on to boxes and doing stuff.
It seems a busy environment – working environment – warehouse environment.
Seems like there are areas that go to other rooms - Seems like a facility.

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Viewing Inside the Room -
There is a subject that has military head gear on (drawing)
It seems everybody seems uniformed – not too much variety in types of style of clothing – there is some but its not like a lot.
And it seems this guy is holding a device – like an object – Id go ahead and say it is making noise (this device) and I don’t know if he is talking to this device or if he’s talking to his friends – I don’t want to call them ‘friends’ but there is people around him.
He’s got people sitting next to him and they all seem like they’re involved in a similar vibration of work – seems like they are all here – got their ‘bored’ faces on, or like very mundane faces on – this is their day job.

These guys have their hands on these consoles pressing all these gizmos and gadgets – sitting down – all seated in chairs.
If I had to guess, say if you were at an airport, these are the guys that are in the air traffic control tower – and they all have these dark uniforms and that seems to really stand out.
There’s a lot of angular and circular patterns (on the console) – there’s a lot of tech – there’s a very technologically heavy environment.
It’s weird – it seems almost everyone here is blonde and Caucasian looking – they all just look really blonde and have very light skin.
A striking large amount of blonde people – a lot of the guys in the hanger – the guys in the non-surface structure – its like, its not everyone, I see some others who aren’t blonde, but I see a very large number of blonde people in one area – it might not mean anything, it might mean something.

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So, we’ve got this Mountain…
And we’ve got the non-surface structure going towards the mountain, and is gliding and enters the mountain – there’s a little room that sticks up, and then there’s room that extends things downwards

Sending pulse of awareness down and trying to follow stuff – feeling my way outwards (like water filling up an ant hill) and getting the sense od the overall structure of the room – but this is big – its not a room. Its like a city. So, this extends very far down – subterranean at this point.

This mountain is on top, and you don’t consider anything inside the mountain to be subterranean – this goes very far down, way below this area of the flat base surface.
Then it opens up to this huge, huge facility (drawing) because there looks like a bunch of objects and other structures – and I call them structures because it does look like a little city – like a city – its big. There’s a lot of stuff here.
There’s a lot of structures within this structure that is in the mountain that is now leading to this opening that is underground.
There’re these huge corridors – they go off onto the sides – they extend outwards. I’m going to have to zoom out further to give you an idea of how big this place is. This is huge. This is really big. Just from the mountain alone was huge but this goes down and it expands – its really big.

(47:41)
Here is a very zoomed out version of what we have been seeing.
We’ve got some hills, we’ve got some distant mountains – I’ve accentuated this mountain because this is our mountain that’s got the opening in it and the non-surface structure is flying into that…
And then the extension extends down – and then we have that huge structure that was holding like an urban area, inside of it, underground.
It seems like a circle – this highway that connects it – I use the word highway sparingly, its not a typical highway – and then there is like these rooms, like this big room over here (bottom right) – and then theres a tube which connects them, and then it extends over here, and another thing, and there’s a big room over here – remember this is all underground.
So, it like the mountain is here, this goes down, (the other rooms) aren’t under that – I’m trying to express that this is like going towards me – with depth. This is like an ant farm cut type of thing (drawing) and now it goes out and around like a circle – not a circle doing down but a circle going towards me.
And there are these sections – huge, huge rooms, each with like a bunch of stuff in it. Some of these big rooms have a bunch of stuff in like objects in it. Some of them have more of these urban-ish looking type places. Some of them are a lot more vacant – it seems like their purpose is to not house urban areas.
So, it seems like some of these giant openings underground are to house urban areas, and some of them are to do other things (in). And this is not everything - And there’s still more.

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Redrawing the interior mountain diagram - Zooming Out Drawing Top-Down Perspective –
Let’s draw this loop –
(stroke) that is the thing that connects to the mountain.
(box) here we’ve got the big structure with all that urban area inside of it.
(boxes around loop) – Here there are smaller rooms, and some bigger rooms.
(long stroke) and then there’s another channel that goes down and it connects to this thing – which the architecture looks different –
(large oblong green colour) and this is huge and this one is complicated.
The objects in here look darker and different. There are some objects which look like… in a cluster of stuff… I can hardly make heads or tails of it -
(Green strokes) – then there’s like other branches that branch off.
(branch boxes) and then there’s these huge facilities – like openings, here – another huge opening here, and like other stuff that goes off here a little smaller. Not everything is big – some of these are rather small rooms that are way off, and very tiny.
But its complicate. The thing to take away from this is a massive, complicated large structure, and some areas seem (I don’t want to say newer or older but) like they were built very differently or with completely different architecture in mind. But if I had to say newer or older Id say this circular thing and this massive thing (middle box) looks older. And I’d say, these branch off things, I don’t really know.
The point is, in this cold snowy barren looking environment there is tiny evidence of manmade activity or structures on top, but underground – wow, this is like massive. You would never mistake that this was manmade or an artificially made environment.

(54:13)

(To be continued - Part B coming soon)

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The Remote Viewing Session from PrinCess Jeaneé
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The Remote Viewing Session from Melena Hall
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The Remote Viewing Session from Trudy Benjamin
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Target Recap – Courtney Brown
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