This is the transcript with pictures for the 2022 January Farsight Human News Forecast.
Please comment in the thread with your thoughts, opinions and findings of this month’s forecast.

The video can be found in the BROWSE section of Farsight Prime or on Farsight’s YouTube Channel.
Please credit Farsight with the forecast information.
Any mistakes, let me know in a post so I can fix them.

Released January 3, 2022

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Table of Contents (Time in minutes:seconds during video):
⦁ Introduction - 0:00
⦁ Rock Arkie - 13:52
⦁ Kahmia Dunson Session - 37:11
⦁ PrinCess Jeaneé Session - 44:39
⦁ Aziz Brown Session - 52:48
⦁ Shantae - 1:02:49
⦁ Intysam - 1:15:10
⦁ Summary Comments - 1:23:53

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Recap December Human News Forecast Findings
By Aziz Brown

Now on to Human News. Let's start by summarizing what happened last month with our December Human News program.
We had a very interesting month based in part on audience feedback, and yes, we do read those comments that people make on the YouTube discussion areas as well as the farsightprime.com forums.

It seems that sessions by PrinCess Jeaneé and Shantae found a strong correlation with the incredible wave of tornadoes that actually hit the midwestern parts of the United States in mid-December. Some commenters also mentioned a parallel with the eruption of the Indonesian volcano Mount Semeru, I hope I pronounced that right; however, we think the closest parallel was with the destructive wave of tornadoes in the American Midwest.

Also in December, one of the big stories was protests in Sudan. The military took over control of the government in October of 2021 and in December 2021 there were enormous street protests calling for an end to military rule and a return to power of the transitional civilian government. It is often seen as a generational struggle where young people seeking democratic progress are protesting the authoritarian control of an older generation. This story was described remarkably well in remote viewing sessions by Kamiah Dunson and myself.

Intysam described an event in an urban area involving a major structure that was destroyed. There were lots of hot and explosive energetics, and some people were actually injured there. That report seems to have closely paralleled with a huge explosion in Baytown Texas at the Exxon refinery. This was a major industrial disaster, and that took place on the 23rd of December.

Now let's move on to this month's human news forecast for January of 2022.
Remember, we could always be wrong, and all remote viewing must be seen as an experiment not a certainty. But look at the data for yourself - make your own decisions - and then let's watch the month roll out to see what actually happens.
We have six remote viewers who participated in this month's project.
Rock Arkie
Kahmia Dunson
Princess Jeaneé
Shantae
Intysam
And myself (Aziz Brown)

These reports are amazing to watch, and it is best if you just watch them for yourself without me trying to explain them in advance. So, let's begin. I will return after all the reports are presented to help pull everything together.

ROCK ARKIE’S Session

Courtney Brown:
Okay Rock, look I want to thank you so much for joining me here with this month's Human News and we're starting out a brand-new year 2022 if you can believe it - and time flies - and so this is a very interesting session.
So Rock, without further ado, why don't you just tell us what you what you have here and well we'll skip the preliminaries as our viewers know, as the audience knows, there's some preliminary pages that you go through to get yourself sort of warmed up, and then you start with some of the major sketches and descriptions.
So, we're going to start on your page one here S4 and what do you have there, and [for] the audience will have these graphics put on the display so they can see it while you're talking about it. So, what do you have here Rock?

Rock Arkie:
Well, what I have is an obstacle like a water or shore land interface and industrial buildings that are near the seashore.
And distressed within those buildings as well as - vehicles, commotion, blinking lights - sort of an interesting target. And I think I think as we go through this, we'll see this replayed several times, but a large industrial area that's had some kind of effect - I don't know if that's an attack - but some of the buildings are damaged or burning, and there's a lot of activity. A lot of lights bright lights and activity going on there, so it was night-time.

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Courtney Brown:
It was night-time – Interesting. Well, all right, we have a body of water, and then we have some structures, and lots of blinking lights. This is going to be an interesting event - supposedly should happen in January.
So, let's go to the next page.
And what the heck is going on with that? This is your page two of S4.

Rock Arkie:
Right, this was interesting, and I kept on getting a rotunda and a large official area. I got that sense of space, that sense of solemn that I had. In the centrepiece is what appears to be a box-like or casket-like setting with these very large columns – large, heavy columns - surrounding that that centrepiece.

Courtney Brown:
You know reminds me of Stonehenge. I know this is not Stonehenge - it just reminds me of that.

Rock Arkie:
Right, right.

Courtney Brown:
That's weird. That's interesting –

Rock Arkie:
Yeah, that's pretty interesting.

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Courtney Brown:
Well, it's a signature element in the target so, if there's any way to help identify where this is, this will help. That box in the middle is weird.
So why don't we go to the next page here - page three of S4.

Rock Arkie:
And you know what was confounding about this, I just I couldn't get this this truck out of my mind and actually I had to go back, and like well, what is a semi - can I draw one free hand? But I ended up doing a decent job after getting this artifact. What I found most interesting were the buildings in the background and I believe that those are more important than the figure in the forefront. But the figure in the forefront has meaning. I didn't do any deeper probing, I didn't see what's in it, where's it going, what's the deal - I just took the picture that that appeared to me in my mind's eye, if you will - and tried to as faithfully as possible reproduce it. So maybe our audience can help us with this.

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Courtney Brown:
So, you're you did a good job drawing a semi, that truck. And the buildings in the background clearly indicate some type of urban area - looks like a major. And I think the combination of the semi-truck and the big buildings indicate this is a significant urban area.

Rock Arkie:
Right, perhaps.

Continued...

Continued…
Rock Arkie

Courtney Brown:
All right. So, rock let's move on now - this will be your page four of s4 - and this is a change rock, so what's going on here?

Rock Arkie:
Yeah, I got a sense of an impact, concussion, and you'll see in some of the other drawings I really I wanted to determine whether it was land-based or water-based. This seemed to be a land-based destruction, just a powerful explosion. And I said (writings) ‘appears to be land, concussive. That's probably going to happen somewhere, but we'll see, we'll see what it ties in with some of the other information.

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Courtney Brown:
Well, the important thing is though, that we see that in combination with all of the other pictures that you have. Well okay so, whatever this event is it's supposed to happen in January 2022. It's got an explosive component to it that looks concussive.
All right, well let's move on to the next page. This will be page five of your S4. This is very different.

Rock Arkie:
So, in page five; it's an urban area and it's something. And when I got the visual and I returned in my session, i went back and then i sat back and i said wow is this an AOL because this has been such a typical versus atypical event worldwide - but it would be consistent with some of the other data, and if it happens in January then great. But obviously a depiction of very large crowd. And this the difference was it wasn't as peaceful. There was smoke, fire, urban area, and there was aggression at the at the border between the two sides. And as i detailed; crowds, police, conflict, damage, smoky, caustic, loud.

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Courtney Brown:
You seem to be suggesting some type of confrontation between some subjects that have vehicles, and other subjects which are basically on foot.

Rock Arkie:
Correct. And there's a dynamic. I will draw your attention to the dynamic of a portion of the structure in this urban scene. This ornate rooftop or castle-like something on the right end. And the reason I’m drawing your attention to it is my attention was drawn to it as a feature of this urban landscape.

Courtney Brown:
yeah I’m not saying this is a middle eastern anything, but it does look like a mosque. there are also buildings in Russia that look like that too. Greece also - in turkey – yeah. A crowd confrontation; so this is not going to be a thing that nobody will notice, this is something that there's a lot a lot of people are involved with this thing.
Okay, let's move on to your page six of S4. what's going on with this?

Rock Arkie:
You know, I think this is a multiple of the other aspects of the area - near an obstacle that's industrialized that has damage because of these buildings - this this building in the corner and the placement of those may be significant, I don't know yet. But the building in the corner, I could literally see a corner of it like a third of it gone, and the rest was obviously heavily damaged.

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Courtney Brown:
Yeah that building has seen better days. Something happened with that building. An industrial setting you've written down also, (Rock Arkie: right) extensive damage, and it's a within a cluster of buildings.

Continued...

Continued…
Rock Arkie

Courtney Brown:
All right, let's continue, let's see - the world is a changing place.
Now Rock, you have to explain this next on page seven because this looks ominous.

Rock Arkie:
I don't know if it's ominous but what was unique about it - there were a tandem - it was a pair of objects that were visible in the sky along with other debris but, the most notable was the trajectory - the tandem view of these objects in the sky, so I mean that was my key takeaway. Oh, it's not just debris falling or something that we've seen in the night sky the past several years - several months - we've seen a lot of anomalies, right. And whether they're a disintegrating satellite or an inbound object - meteor etc, bolide - the difference here is that there's two.

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Courtney Brown:
Two, and they’re parallel. I’ve been actually hearing of reports of people seeing things falling out of the sky like satellites, but they seem to be like having a couple of things happening at the same time. This is not unusual. I was talking with my son about this the other day and there's been considerable sightings of people something, it looked clearly like not a meteor because it's like multiple colours - the things sort of spinning out of control but coming down like a meteor. Otherwise, it almost makes me wonder if there's some battle going on up there. (Rock Arkie: all bets are off). Yeah anyway, we'll find out eventually, and whatever it looks like looks, this particular picture looks like two things coming down. I wonder if those are natural or if they're artificial like pieces of tech?
Well, let's look to this page eight your next page on S4 - now looks like something's going up.

Rock Arkie:
Looks like something's going up and it was definitely missile like, and I say missile-like - the extraordinary aspect of it had a very small like wing profile and tail profile, but maybe it's hypersonic - I don't know. But it has an unusual shape and I think that's what we should draw our attention to. That the shape anomaly which may, or may not be quite correct, but it's indicating there's something else going on with this rocket if you will.

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Courtney Brown:
Yeah, it has an exhaust, so it's clearly human tech, right. And it's clearly been shot, and it's in the air, and it's flying, and it's going someplace - like a missile - like a cruise missile you say, which is actually making sense for the appendages on the right sides and the left, because cruise missiles have small wings on the side. (Rock Arkie: right.)
Right okay, if we jump over now to page nine, what's going on there? looks like we're in the water now.

Rock Arkie:
Well I have an affinity for ships, boats, etc, and the sense I got here was a military type craft that was low in the water, in some level of distress. And I said I think it's warship-like, low in the water, getting swamped, damage aft, smoke, clanging, activity etc, - what you might expect if you had a problem on a on a boat this size.

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Courtney Brown:
Now you served in the navy too, didn't you?

Rock Arkie:
I did, right, yeah.

Courtney brown:
So you're used to that environment.

Rock Arkie:
Yep

Continued...

Continued…
Rock Arkie

Courtney Brown:
We know with remote viewing is that, when you are used to a certain environment you can pick it up with remote viewing and decode it easier because you sort of been there done that. So, this is useful that you pick that up. And it is a warship-like thing - a lot of clanging and activity.
Well, how does this compare with page 10?

Rock Arkie:
Right so, page 10 is I think a predecessor to the page nine. Now, it came in the actual remote view, it came afterwards but, we don't pick when those images come in line, and I was like surprised because this was high in the water versus low in the water. And in my humble opinion because of the damage aft it's the same view just at a different sense of time.

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Courtney Brown:
Interesting. So, this would be the same ship probably, or possibly a little earlier, and it's not sinking so much. So, that's interesting. Okay, so we clearly have some concussive type of stuff on land but also some stuff going on in water.
Page 11 - so this is not simply just a rock falling from the sky. That something's going on here. All right so uh Rock, why don't we take us to page 11 because this is startling.

Rock Arkie:
You know the most startling thing is the last time we did this, it was an Iranian ship that had been hit by an Iranian ship.

Courtney Brown:
That was a very accurate session that you had by the way.

Rock Arkie:
Right. In that in that session, the difference is I think I spoke to body components because it was such a horrible event and I did not sense completed bodies. So the good news here, which is what happened…

Courtney Brown:
… which is what happens with that event - it was an awful event, but go ahead, but, this one here?

Rock Arkie:
In this event, I had scattered bodies (complete) with life forms that were very active in the water as well, like in a rescue event. So, it could be associated.

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Courtney Brown:
Yeah, if the boat was sinking, they're going to have to jump ship, and so this could be people with life vests waiting to be rescued.

Rock Arkie:
And I think you know you're well aware that as you're going through the sessions you don't really think about any previous session - it's just picture after picture that's just coming your way - and when I sit back and I compose it in S3, you know then you sort of have a view and we might go back to S3 and just look at that whole big picture when we're done with this for a moment just to see. Because sometimes the actual placement is instructive in a subconscious way.

Courtney Brown:
Yeah okay. Well, this is very different though. This is a completely different month and year from the Iranian session that you had. That was actually a Iranian ship that got hit by an Iranian ship. It was a it was a friendly fire mistake. One of their ships was destroyed.

Rock Arkie:
I will reflect on that; what surprised me (was), it was the uncanny accuracy of the view to the event that happened, and even to the point of exactly where the ship was hit, and I’m just I was blown away by that.

Courtney Brown:
Yeah, but this is a different event even though it does have people in the water. But the last time you did such a thing that had elements like this, you were spot on.
Okay, so let's go to page 12.

Rock Arkie:
I really wondered about this because I kept on getting an overhead view, and I kept on sensing that I needed to draw this sideways view of this structure, and I don't know the implications, or why it might be important, or why our attention needs to be driven to this structure or set of structures. I said, ‘a sweeping coastline’ (once we denote that as an obstacle) where the water meets the land - a heavy structure which extends to the water and then there's some steepness in some areas - it's almost complex like. And I tried to draw a side view with that steep - if you look at the lower area with a with a steep abatement or whatever - but it also moves across the shoreline into you some formation in the water. I tried to depict that to the best I could. But you know it's unless you know why that's there it's just some place. We'll see.

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Courtney Brown:
But you know Rock, that image has some parallel to your first image on page one of S4, because you have that body of water and then buildings with lights and everything.

Rock Arkie:
It's probably another shot of the same place and then we would have two pre-eminent views - the ship and the structure, and everything else around that outside of the urban area is associated perhaps.

Note: A last portion of this has been edited – please refer to the video for the discussion between Rock and Courtney.

Courtney Brown:
I want to thank you so much you did a great job, and you have a whole bunch of fans out there that are going to be really grateful to see you back.
Rock Arkie: Good to be here, thank-you.

Courtney Brown: Rock, well now we have to sit and wait and see what happens - see what January brings in.
Rock Arkie: you bet. All right, thank you.

End Session.

KAHMIA DUNSON’S Session
So, starting off I have this irregular topography going on in the background and then a lot of foliage.
I have this kind of large body of water as well and it kind of looks something like this (drawing).
This looks like a tree line mostly, so this is all foliage - and we've got a body of water right here.
Then I’ve got subjects like all gathered over here it's like subject, subject, subject - there's a lot of them here. Then there's also something kind of in the middle of this (drawing – blue pen) - so there's kind of a structure here on this large body of water, and all these subjects seem to be looking over at this structure.
On top of it all there's also this very large like cloud, and there's a lot of heat coming off of this as well.
So, it kind of looks something like this (purple pen).

Now there's this particular subject that I’m picking up, and this subject is a male subject.
He feels like a little young maybe in like their 20’s – 30’s.
And they also seem like they are unconscious, and then they feel like they're also buried underneath something. Now this subject feels like they're kind of over here (pink pen) - this subject's right here, and all these other subjects are over here.
There's a couple of other surface structures here as well. They're just kind of scattered about - large structures - not too many.
And then something that looks like a dock coming out here as well (light blue pen).

Okay, so now focusing on like the event - this event feels like… I’m feeling a lot of emotions. I feel like these subjects over here are really focusing on this subject right here. They're wondering where they are, they're wondering if they're okay, and just a lot of worry sets in.
It also feels like these subjects don't necessarily know this subject down here, so something maybe like police are here or some sort of group of people out here looking for them.

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Another visual that I’m getting is there's the tree line going on over here, but then not only is there like this large body of water that I was talking about earlier, but then there seems to be like another one over here and they feel like very, very, big bodies of water - like lakes - so there's maybe two different lakes or a couple of different lakes all together.
And then we've got a couple structures here (drawing)
And then we've got this structure on the water (that I’m talking about) that seems to be over here in this body of water (orange pen).
In this one, the boat seems like it's very hot - like there's a fire.
There's smoke coming about it and it just feels like this boat has been destroyed.
And there's a subject that maybe is underneath the boat or inside the boat, as it's basically on fire (purple pen).

So, the doc (bright blue pen), random structures and then a group of people looking for somebody that's right here.
The movement here feels very intentional, and it feels like they are scattered about and they're looking for something - they're looking for this subject.
They are moving - they start here, they start to spread out, they all seem to be kind of over here when they could spread out - or spread out a little bit this way - but nobody really goes into the water looking for this subject quite yet.

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So, I’m trying to now focus on exactly how this happened.
Okay, so there's a couple subjects here.
They all look about the same about height, same skin complexion, fair skin complexion, average height subjects.
And I see them all in this big structure that's on this water and it feels like they are not like sober.
They do feel kind of ‘off’ and they're not necessarily ‘aware and here’ completely, and overall, they're having a good time and it doesn't feel like anything bad is necessarily happening or planned…
And then it's kind of this idea that something falls, something causes, this heat to start spreading throughout this structure.
The other subjects - it feels like they like jump in and they get away - they're not harmed - I can still sense these subjects.
But then one particular subject is a subject who maybe can't swim or just got caught in overall what was happening - but that subject does not make it, and they are kind of stuck here at the bottom.
And now we have a lot of subject’s kind of going through like a search party type thing looking for this subject that is lost in one of these big lakes surrounded by all this foliage - very natural, you know all that stuff.
And so that's basically what's happening here.

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One thing that I do again want to reiterate is that nothing here was really intentional - I wouldn't say that this subject was purposely hurt - purposely injured or anything.
I do think that it was mostly an accident and there were just a couple of people (subjects) out here trying to have a good time - it didn't end so well.
And now they're all kind of searching for somebody that is underneath this ‘on fire’ structure on this water.

End Session

PrinCess Jeaneé’s Session

A lot of base surface - level topography.
Got some steep peaks - both man-made and natural environment - natural smells.
I also smell a lot of man-made smells here.
I’ve got structures on the surface here, foliage, multiple subjects, multiple structures.
There's a very essential structure that's my focus here right now with subjects both male and female inside of multiple - it's a very rural slash like urban like environment with or like urban environment with natural aesthetics to it.
I’m getting the energy something very cultured.
A structure that's very cultured.
There are subjects inside and outside of the structure here - it's very prominent and dominant.
I hear a type of vibration, it reminds me of pulsing or speakers of some sort - I’m not quite sure - within the structure - rhythmic sounds - pulsing vibration - a deduction of stereo music, like big music.
There's a lot of high energy – high, hyper vibration.
Something very definite and definitive is happening - it's not all good, but it's also not all bad.
Whatever's happening is just is very controversial and there's some detrimental energy.
There's a lot of mixed emotions and mixed energies in here, I have a sense of someone being harmed.
I’m getting deductions and sounds and feelings of like young people, teenagers or college age, between 16 and 30. I could also not be correct in this at all, but just that energy is what I’m feeling - party like atmosphere in a structure that holds a lot of subjects - a lot of individuals.
Vigorous movement. There's a lot of (inside the structure) rhythmic movement, again - pulsing heavy vibrations - also there are some very subtle motions that are happening.

It is very moderately warm to cool in temperature where I am.

I’m getting man-made land - rough concrete struck tar-like surface.
There's grass or grassiness or foliage likeness - vegetation here. Colours of brown, greys, tans, greens.
Very active life - and again, someone is being hurt or abused in some way, shape, or form.
I’m getting another feeling - I’m going to have a deduction of a prank gone wrong, or bullying, or defence, to some sort of outbreak - some sort of large outbreak that is that is affecting the people - the subjects in the midst thereof, and subjects around the situation, and subjects on the outside of the situation - like viewers - those that watch, those that are finding out it's other people that are not involved in the event itself are affected by this event.

I’m seeing a lot of steep peaks - a body of water – foliage, land.
Subjects scattered about amidst these this location.
Structures wide - some tall - two structures - it's kind of like a secluded, uh I don't want to call it secluded, it is definitely an area that has been blocked off for what is happening for the event.

Again, I’m getting this sense of a type of celebration - loud music, rhythmic pulsing, shouting voices in young or energetically young individuals.

Yeah here, there is a devastating thing/situation that is coming of this engagement.
Authorities are involved.
Multiple subjects are harmed at this engagement.
There is a death event of some sort, or something close to a death event - something violent.
I’m getting random feelings of like shooting, massacre, murder, stabbing.
I am going to deduct all of that because I am uncertain - but someone -there is an outbreak.
And there are people harmed out of this outbreak.
Either all of this is happening, or it feels like it could be that - like this teenage thing, or a political party happening that's being televised.
I’m getting the deduction of New Year’s Eve - New Year's Eve party - things where people are gathering now in this time.
For whatever reason - and then a ‘something’ that is not okay is happening.
It's like heightened energy - happy here, and then it's like energy, you know - it doesn't feel its best - does not feel good.

End Session.

AZIZ BROWN Session
Hi everybody.
So, I’m seeing for my first visual, some structures - structures over here, structures over there, and a whole bunch of subjects - like a lot, a lot of subjects. Honestly, this picture doesn't really do it justice.
It seems like there's a huge crowd of subjects, and the structures are really just to denote that it's in an urban area.

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I’m going to draw another picture over here on this side.
Okay, so I’m seeing a pointy structure over here - a lot of structures that are more angular over here on this side - over here on this side - and you know let me just draw this little divider line over here (blue pen wavy line). So, this is one visual, and here's another visual. So separate images looking like they're basically two different angles of the same sort of thing all right.
And then I’m seeing a sea of subjects – really, just a huge amount of subjects - lots and lots and lots of them – subjects, subject, subjects, subject, subject, subject, subject.
Okay, so a lot of subjects, structures on both sides, and a pointy structure over here.

And the subject’s look like they've got not the happiest face on. They kind of just all look like they're various degrees of ‘not happy’ - you know the type of faces. So, you can see my face - I could try to draw it out but just imagine my face onto these subjects. Let me erase this and continue with the session.

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Okay so I’m also seeing a structure in front. It looks like there's a lot of columns or something like that, and a whole sea of subjects that are just like this - that huge sea of subjects that are all in front - a huge sea of subjects.
So now we've sort of seen behind - or it looks like maybe that's behind this whole sea of subjects.
There is that sort of like pointy thing.
Seems like on the sides there's more angular boxy sort of structures.
It seems like over here there's just like a big wide structure, and it seems like this is a visual.

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Okay, so another visual I’m seeing over here.
It seems like I’m seeing a barrier of sorts and like a lot of crossy designs on it, like a chain link fence sort of just a metallicy designed, cross, crossy design patterns on a fence.

And then I’m seeing some subjects over here that seem quite stoic to be honest.
They seem like they have some hard head gear on, and they've got some objects in their hands.
So, these subjects are over here, and then these other subjects (there's far fewer of these guys over here) - and then there's these all these other subjects over here.
So, you've got a sea of subjects over here, some sort of head gear wearing blackish huge subjects. These guys look a lot more multi-coloured mostly darker hues, but I’m seeing a lot more colour into the attire that is over here, and these guys just seem like jet black, or they just have this hard exterior clothing on.

And there's a barrier in between them. This barrier just looks like that - I mean you can see through it – looks just like this fence - I don't know, it just looks like a barrier that's between them, and it's metallicy.

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Moving on. Okay, so let me try to draw and explain the actions of what's going on here.
So I’m seeing this large structure with sort of these columns on it, and then I’m seeing this big fancy thing (orange pen)… then draw the base of the fence over here…

So then let's do these structures in the back (purple pen) - angular structures seem to be coating the sides of this area.
So I’m basically seeing these more stoic, more armoured subjects over here, and they're just standing there quite stoically as i stated before. There's more than two of them but let me just draw two of them because I’m going to have to draw more of them in different positions later.
And then we have our sea of other subjects. So I’ve got a huge amount of other subjects in the back. I’m going to draw some space because i got to draw some actions of what they're going to do.

Okay, so there are some subjects up near the front of this barrier, so there's a lot of hectic chaotic movement and actions and yelling going on around here.
And a lot of stoic, silent, ‘standing’ by these subjects over here with the armour and the headgear and stuff.
So I’m seeing one subject over here, and he rears up and throws an object, and the object goes (pink pen) up and goes right over the fence - and I’m seeing a couple people do this - so like some people are throwing stuff over here, over this barrier fence looking thing.
And then these guys, they step backwards (there are more of these guys) and they seem to be pointing an object that they have in their hand - and they all point the object up and in the general direction of towards this whole mob of people - and then ‘boom, boom, boom’, they start shooting stuff with technology with their objects that they have in their hand. Not just throwing things but shooting things like backwards at this whole crowd of people.
And then most of the people here just start to disperse however, there are some subjects that end up… let me let me use this colour (orange pen) …so there are some subjects that are closer towards this front area and they don't really seem like they're doing too well.
I’m seeing one subject actually who's sprawled on the floor and (I’m drawing the subject in orange because this all this all happens quite fast and things change, so I’ll draw the motion in orange and the fence is also in orange) …so a couple of guys - not just him - but a couple of people start throwing stuff over this area and then it sort of like starts pelting these guys over here. These guys immediately move back - you see these orange arrows - they immediately move back, and then they just take their stuff, and they go ‘bha!’. And then everyone here is just like nope, and then they all start to disperse the other direction - start running away - they all run the other direction, and not all of them really get out of there.

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I’m seeing one guy, and I’m seeing (let me switch to this pinkish reddish colour) seeing like this person seems to have gotten quite injured. I feel like this person got injured actually on the legs - that was what I felt - this person seemed to have got injured and they seem like they're really not looking very good on the face - like in the face - it just looks like they are in a lot of pain, and they have this very desperate look of pain and being scared, and looking up at this crowd of subjects that is just going the opposite direction - just running that way - and he's (maybe it's a she - I don't know, I didn't really gender test it) still sort of looking up and just looks like a lot of fear and pain emanating out of this subject.
This subject is struck by something that comes from these people, but it really injured this subject so, these people start throwing little things - just objects I guess - I don't really know what the objects are, but they threw some stuff over the fence and then - all the stoicism here - they just back up back up out of range of the stuff that's being thrown. And then some people are shooting up, and I guess whatever was lobbed the other direction towards this crowd, really hurts some people.

End Session.

SHANTAE’s Session
For my first visual I have a base surface level topography - a lot of man-made land here.
Some surface structures - kind of different sizes and have sparse amounts of foliage nearby.
I’m getting a lot of cold temperatures and some kind of cloud dynamics.

Also seeing a lot of subjects outside of these surface structures.
Feels like an urban environment - there's kind of like different clusters of surface structures, and a lot of subjects. But I’m also seeing this other structure that's very distinguishable from these other surface structures.
I have a lot of subjects inside these structures and outside.

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Looking at this larger surface structure it feels kind of old but it's very well maintained - it's kind of like a traditional type of architecture to it. It's a lot of triangular shapes.
There's a lot of subjects inside of this structure.
There's a lot of sound here and I’m getting like vibrational energetics coming from this structure.
And there's bright light inside as well - just bright light kind of emanating from the structure.

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Looking at the nearby areas, there's more like densely packed structures.
There's a lot of subjects outside on the base surface.
These structures feel like they're not very stable - it's kind of like this is like a more dirty area - i have like some unpleasant smells, loud sounds.
The subjects that are here they kind of they don't feel happy and not really motivated I guess.
But it does look like a community of subjects but they're just kind of individual - very individualistic - they don't rely on one another, even though they're very close together in this area.
Also getting like some smoke in the atmospherics here - just a lot of different smells - like man-made smells.

And looking inside of this larger older structure it's like I’m seeing kind of like large crowds of subjects in here. There could be at least like a hundred subjects in here.
It's a large structure with a lot of subjects and there's a lot of talking sounds.
And there I do have two subjects that are standing out there a male and a female subject here.
They're pretty nicely dressed these subjects. It feels kind of like middle-aged subjects of a fairly light complexion.

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In these two subjects it's like they're not leading these subjects but they are holding their attention - kind of like they’re keeping things organized and the subjects in this structure have similar ideas /ideologies but I’m getting the sense from some of the subjects that are in the crowd that they're not able to be their true selves - like they're kind of being a little deceptive to one another - maybe so they can be accepted and so they can remain here.
I’m getting movement from this large structure - movement of subjects from this large structure to these other areas, and kind of back-and-forth movement of subjects.
But it feels like there's a higher volume of subjects moving from this large structure to these smaller structured areas.
Looking back at the subjects in these more clustered areas, they're clothing that they're wearing is very… they have a lot of layers like hats, and kind of thick layers like sweaters and big jackets.
I’m getting a lot of like cold temperatures in these areas. There's wind and these subjects just don't really feel like they want to be here, and I have movement of some subjects from these clustered areas towards this larger structure, but ultimately, it's like these subjects always return back to this area though it doesn't feel like they want to – maybe they don't really have a choice but to stay here.

I have a lot of subjects coming from this structure to these more crowded areas, but it feels like they're really trying to avoid having to go there, but they don't really have the support that they need to be able to stay with this group of subjects in this large crowd - like it's inevitable for some of these subjects that they will end up leaving this group.

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So, if I were to summarize what's going on here.
I have a large group of subjects that have the same these same kind of rules and way of life that they've been following, but there's a lot of subjects that no longer want to keep up with this, and a lot of them are moving away from this group even though where they'll end up is not as ideal as where they're coming from - but it's better for them to leave this group than to stay with where they are.

End Session

INTYSAM’s Session
For my first visual I have a base surface with irregular topography.
I have what seems to be like a pretty prominent mountain with a steep peak.
I’m also getting multiple structures - so a ‘city’ feel.
And there's also quite a bit of foliage.
I’m also sensing quite a large body of water, and in terms of the water I’m not only sensing the body of water - the water coming from the body of water - but I’m also getting ice and snow.
So quite an urban feel - subjects all around this area lots of foliage.
My deductions were like Washington - I haven't been to Washington - but I think it's mountainous.
I’m also deducting Salt Lake City - very familiar, and it kind of has this feel to it.

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Okay, onto my next visualization.
For my next visual I am seeing I’m in the centre of this large urban area, and there's quite a prominence building.
So, what I’m seeing is something that resembles - I was deducting things like White House, Congress, because it's quite a prominent building.
Looks like kind of stairs right here, and it's quite a large - like in all of the area, this is the most prominent structure, and there's smaller structures all around.

I’m also sensing a focused gathering.
The first focused gathering appears to be right outside of this building - there's a bunch of subjects - quite a few subjects - and as you can see, they're right outside of this structure that's quite prominent.
And I’m not sensing quite a lot of movements per se, like outwards, it's quite concentrated - quite focused. So, when I probe these subjects outside, I’m getting they do seem quite agitated.
I’m getting a visual that some of them are kind of like throwing their hands up - they're speaking in loud voices as well, so quite a bit of agitation, and this agitation is directed somewhere inside here towards the second focused gathering that I mentioned that is in this structure.
I’m also getting quite loud voices.
So loud sounds, voices and something that sounds quite booming - so deducts like a speaker - like an air horn something like that, that it's kind of loud amongst the already loud voices that I’m hearing.
So let me move towards the inside of this structure and explore what's happening here.

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My next visualization takes me back to the prominent structure, but what I’m seeing now is I’m inside this structure and it's quite large - and so that's inside the room - and there are subjects, and it's as prominent inside as it is outside in terms of the architecture.
So it kind of looks like this - another deduction was Vancouver for the whole overall area outside - and I don't know why. Deductions: there's something about that when you deduct something that tells you you're getting an element right, but rarely is it like the deduction is actually correct. So, for this prominent - a big hall - I’m also seeing subjects that are sitting in a row formation - and these look like seats or benches and there's just many subjects in here.
Okay, let's just portray what it looks like. So again, this is where my deduction of like parliament, congress, comes in because it looks very sort of official and you know like the whole area is giving me kind of just like serious business type thing, and leadership or summit - you can you can see why I’m getting these deductions - is because of what the area looks like.
So, I’m going to do a deep mind probe a collective deep mind probe of what these subjects are feeling.
Okay so my deep mind probes first of all there's not much movement within the subjects - they're not moving about the room. And then I’m sensing a lot of frustration - so there was frustration with the subjects that were outside of this structure, but I’m also sensing frustration within the subjects that are inside this structure. And the frustration comes with being in this particular situation. I’m not exactly sure what the situation is.
And I’m also sensing a unwillingness to bend or to give or to accommodate.
Okay, so I feel I’m getting a sense of there are certain processes that are in play. And whatever these processes are, these subjects are unwilling to change those processes. I’m also getting a sense of like ‘i know what's best for you’, like these subjects think that they know what's best for everyone, including the subjects outside, that apparently are the opposing group of these subjects, or this particular group.

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I guess the gist of this session is that there are two groups. One group seems to be more in control and unwilling to change, and the other group is agitated and unhappy with this particular group.

End Session

First I would like to say thank you for posting this way. When you started doing it before I thought well why do it ? We have the videos. But now I prefer reading it because it allows me to think about each sentence and each bit of information. Really works for me and now I think I prefer this combo style.

Thankyou David - that's really great feedback. Much appreciated!

Thank you so much for this work. It enables us to look up details from older projects without rewatching the whole video. And makes translations, to share the info, very simple. Reading is much quicker than a vid full of repetitions and breaks. 👍

Pemanent link: https://web.archive.org/web/20220104232829/https://www.farsightprime.com/forums/general/53568-2022-jan-fs-human-news-transcript-comments