2022 MARCH FS ET NEWS ‘CREATIVE GENIUS’ - TRANSCRIPT & COMMENTS

Welcome to the 2022 March Farsight ET News Forecast ‘CREATIVE GENIUS’ Transcript.
The publish date for this Forecast is the 30th of March 2022 – and the Forecast ends 30th April 2022.
Please add your comments, thoughts, observations, and opinions to the thread.
Credits: Farsight

The TRAILER for this edition is below
The FULL VERSION can be found in the BROWSE section of the website under ET NEWS or at this link:
https://www.farsightprime.com/farsight-et-news-forecasts/season:3/videos/farsight-et-news-march-2022

Youtube Trailer:

.
Table of Contents (Time in minutes: seconds during video):
⦁ Introduction - 1:00
⦁ Shantae - 7:39
⦁ Aziz Brown Session - 17:08
⦁ Intysam - 29:53
⦁ PrinCess Jeaneé Session - 43:52
⦁ Kahmia Dunson Session - 53:21
⦁ Summary Comments - 1:05:52
.

INTRODUCTION

Hi everyone. Welcome to Farsight’s ET News - the news show that tells you what the extraterrestrials are up to in late March 2022 - the ET news of what is going to happen - not what did happen.
Remember that the start date for this forecast is the publication date – (30th March 2022) and the forecast is for 30 days from the publication date. This is an ET News Forecast Program that complements our Human News Forecast that is published at the end of each month. But this ET forecast is published only on Farsight’s video streaming service, farsightprime.com
Farsight’s ET news is cutting edge. More than a bit controversial and absolutely need to know, and it is what you need to know.
I am Courtney Brown Director of Farsight standing in for PrinCess Jeaneé this month.
.

'CREATIVE GENIUS'

Courtney Brown: Today I want to introduce the ET news by telling you why you're all prisoners on this planet. Yep. I'm going to tell you exactly why most of you are here, and here is a reason. Creative genius. That's right.

You are here because humanity is composed of the highest collection of creative geniuses that this galaxy has ever seen. You see, what we have found out through our remote viewing studies here at Farsight is that nearly all extraterrestrial societies are much more rigid in all sorts of ways when compared with human societies on earth. The arts, all of the arts, are nearly non-existent out there in the galaxy, at least at the level at which they exist here on earth. Extraterrestrials like to live in societies in which things run smoothly and people follow rules in those societies -

Now consider the following. In most ET societies there really is no major reason to invent new stuff since they think that everything that can be invented has already been invented over the span of millions of years. Actually, there are still plenty of new things that could be invented but, they are not necessary in order for extraterrestrial societies to survive or thrive. So as far as the ruling elite of those societies are concerned, why change anything when things are already okay, why upset the so-called apple cart so to speak. Well, it's the same with the arts. Friends, next time you're on a computer go to YouTube and look at the collection of songs sung by say Adam Lambert when he was in the American Idol competition. Then if you have time also watch him sing Believe at the Kennedy Center, that is a song that was originally sung by Cher. With so many of the songs that he sings listen to how he sticks to a melody but then significantly deviates from the tones in the melody only to return to the melody, bending his voice around the written structure of the songs as if he is swimming wildly around a signpost while still keeping respectful of the meaning of the signpost. That type of exuberant creativity that seems to have no desire to stay limited to a rigid structure is exactly why nearly everyone on this planet has been thrown here.

On the level of artistic creativity nearly every extraterrestrial society that we have looked at they're really boring when compared with humans on earth. Friends, as far as the extraterrestrials are concerned, we are a bunch of wild guys, so many ET societies find our unbounded exuberance to experiment and try new things well they find it disruptive. They have a gravy train and they want to keep that gravy train running just as it is. Sure, they want to protect their societies and they invest heavily in defensive warfare capabilities to do this. But they are not really interested in changing their societies internally, the way creative individuals like to shake things up. They just don't do that - they don't do that.

So, what we have here on earth are a huge number of people or what we would call Isbe’s, a person who is simply for the purpose of being, who like to explore, create, try new things, and to push the limits, all limits, to extend what is known to new realms and to do something new simply because it seems fun to do something new. As far as the rest of the galaxy is concerned, we are pests or worse dangerous. We bother them. Sure, some ETs feel guilty that we are locked up on this planet when we in fact did nothing wrong, but even those ETs probably don't want us messing up their worlds with new ideas.

Now, do you see that means that humanity on earth has the highest concentration of creative minds anywhere in the galaxy. This is really big - really big! We know how valuable a creative population can be. We can do stuff, new stuff that scares much of the galaxy. There is greater potential from within the human race to change this galaxy for the better than has ever existed elsewhere. That is probably the real reason the so-called good ETs have not rushed to liberate humanity from the clutches of the negative ETs, the authoritarian and fascist ETs, such as the Reptilians and those from the Orion empire. Even the goodies are probably more than a little bit scared of the potential that they see in humanity.

But friends, we understand who we are. We understand ourselves. We know the value and power of creative genius, and deep down really deep down, all ETs also know that we are a collective intellectual and intuitive powerhouse that has no historical equal in our galaxy. They may pretend that they are equally capable of the best stuff even without the help of humanity. But deep down they know that is a lie. They know that there has never before been a concentration of creative energy such as that which resides in humanity. And it worries them.

But what about us? What should we think of this? Well first we need to recognize who we are and how powerful we are as a collection of Is-Be’s. We need to recognize our greatness along all dimensions, even if we acknowledge that our collective greatness is really an accident of circumstance. You see this concentration of creative energy on one planet only happened because so many creatives were tossed out of their own societies. But once we recognize who we are, who we really are deep down, then we can look out across this galaxy without any fear and without being intimidated by ET technology or attitudes.

Once you recognize the power of humanity's creative genius there is no reason to fear any ETs no matter who they are. Each and every one of you are real enough ‘somebody’s’. No ETs can control or enslave you if you recognize your own true greatness.
.

SHANTAE’s SESSION
For my first visual I have a base surface with irregular topography –
Hilly land and there’s also some bodies of water nearby – smaller bodies of water and larger bodies of water
There’s also extensive foliage in the area especially where the hills are.
I also have warm temperature here.

For my next visual I’m seeing some somewhat tall, elevated structures – some of them seem to be in the water or at least partially in the water – some of them are on land
I have subjects inside of these structures – human subjects – male subjects
These structures have these bars on them – look like a cage like structures with male subjects inside.

There’s a kind of hilly land nearby (drawing)
So, looking at these hilly structures, or hilly areas of land –
I also feeling energetics coming from the hills and feeling like there nonhuman subjects inside, so it does have this appearance of a hill but there’s foliage covering this structure – it’s made of natural materials but there are non-human subjects inside. It’s like a hollow area with magnetic energetics coming from it.

So, looking at these non-human subjects – I’m seeing males and females, but they have very tall muscular – they’re somewhat thin but you can see the muscle tone of their bodies (drawing)
They have long dark hair

.
So, this is what the non-human subjects inside the hills look like -
There’s not a lot of activity. It looks like they’re laying down inside.
And …
One by one they start to move a little bit – but they’re very quiet – they’re not talking to each other – not a lot of activity

So, I’m looking at these hilly areas and I’m seeing multiple hills like this (drawing)
I’m seeing that there’s these structures with human subjects inside and they’re somewhat near each hill – there’s multiple hills like this (drawing)
So, when I zoom out from this target I have water, these cage like structures male human subjects inside, I have these hills,
(Drawing hills) and it’s like most of the subjects are laying down around (inside) but every now and then one of them will become alert, exit the hilly structure, and they go towards the structures with the human subjects inside.
Looking more at the interior of the hill – I’m seeing it’s like a grid-like part of the structure.
And I have (?) Subjects around it but there are some subjects that are placing objects into this grid and also exiting and returning from the hill.
That’s the continuous cycle of activity that I have from these non-human subjects.
As they become alert, they head to the male subjects in these structures throughout these areas in the land and they will take little objects – they feel fragile – from the structures (with the males) – they get these little objects, and they return to this grid and arrange them there.
And I have this magnetic energy that comes from the base of these hills
And there this continuous

.
It’s like they’re dormant or just lying down or resting, something will alert them to go to these structures with the human male subjects in them.
The non-human subjects are just going back and forth from their hill to the human subject structures and back into their grid they have in their hill
There’s live foliage covering these hills (drawing) and a lot of foliage in the area.

End of Session
.

AZIZ BROWN SESSION

Hi everyone
To start of this visual – we’ve got some hilly topography slightly irregular in this area
In the distance I’m seeing some structures in this are –
At a distance I’m seeing some structures over here however the focus is more around a solo structure that is over here (yellow pen) and there also seems to be a road of sorts that’s leads up to this solo structure.
And a smaller structure which maybe just a large object over there.
It all seems angular and manmade.
Another thing I’m seeing over here is a non-surface structure which seems to be hovering in this direction and approaching the solo structure.
To add, there’s a lot of foliage around this entire environment, however the foliage doesn’t seem to have leaves on it, some of it does, but the vast majority in this area does not seem to have leaves on it.
This is the general lay of the landscape that I’m seeing, but the focus really is on a solo structure with a road and this non-surface structure approaching it.
This cluster structure just happens to be way out there, but it has nothing to do with the target from what I’ve seen so far – so this is where we are starting off.

Non surface structure approaching a solo structure, in this irregular topography environment that has a lot of foliage that doesn’t seem to have leaves on it.

.
Ok. In order of how this occurs I’m going to draw 3 sketches: A, B, & C – and that’s how it happens chronologically in time.

A starts off with what we talked about before – we’ve got this structure, a road leading up to the structure, we’ve got this non surface structure which has approached it.
Now the Non surface structure gets really low, gets over to it, and sort of this energetics emits out of it. Mostly directed towards this structure.
However, the energetic seems to be emanating all around the non-surface structure as well but, a greater concentration of it is going towards to actual structure that’s on the ground over here,
Once again there’s quite a bit of foliage around this hilly environment.

So, lets label this scene A as this is the first thing that happens.

.
Let’s move onto scene B
Scene B involve me seeing a subject – looks like a male subject – and he seems to be completely asleep.
And he’s inside basically what looks like a bed.
There is a bit of unusualness to this event – Ill illustrate out – basically a guy sleeping in bed.
Then, (yellow pen) a bunch of non-human subject that have surrounded the bed area – Ill draw them as stick people, so they have all surrounded this person and they are … I see some sort of energetics happen, and then this whole scene teleports away from the inside of what looks like a regular structure to inside a very different greyish/white hues artificial looking structure.
Just to draw a bit more detail of the face, I’m seeing a person that looks like this (drawing yellow) they’ve got these silvery grey suits on – they’re not that tall compared to this guy – this guy is bigger than they are, so they’re not alone.
It’s like there is a team of them. They come in and they get this guy, they surround this guy, this whole scene teleports to this other environment, and then the next thing…

We’ll call this scene B

CONTINUED…

Continue – Aziz Brown Session

… the next thing it’s like they just hoist him up – he’s sort of in a stupor – they hoist him up
He’s basically hoisted out of the bed and draped over these guys as they’re all lifting him up, and dragging him, literally, out of bed to this other location that’s inside this other environment.
And it’s just away from the bed area. (drawing)
Basically, it’s a group of these people helping this guy – picking him up – and he is kind of eyes open but kind of out-of-it. He’s really not that responsive – he like ‘ehhrrrrr’ being dragged out of bed and walks through this hallway.

We’ll call this C

.
So – non-surface structure approaches a structure – energetics shoots out of the (non) surface structure. I don’t hear any sounds but that just the frequency I feel like a woo-woo-woo – type of thing coming out.
This guy is sleeping and then around him appear these little guys – like 4 of them – and then the next thing I know this whole thing has teleported from being inside here, to being some place inside the non-surface structure.
And inside that environment is this guy, and these 4 guys have picked him up out of bed and are now hoisting him on the back, sort of carrying him out of this area, and he’s flopping over them, and they’re trying to pick him up by the arms, another one is trying to move his legs a little bit more, and more people are trying to grab him by the shoulder. And they’re just taking him in that direction.
So now let’s move inside the non-surface structure and see what’s happening to this guy.

The next scene we are at it the guy sitting quite attentively – back very straight, and face kind of blank – he’s sitting on a chair or a block, and he’s got his hands in his lap – doesn’t seem to be a backrest or anything like that – just seems like he’s sitting on a block of sorts… (drawing)
… and the background behind him is like a bunch of curves and circles.
This might not make sense to everybody but I don’t know if you guys have ever sat in like – they have them in some museums for kids – you sit down and there a cut semi-circle behind you, like a sphere that’s been cut in half, but you’re on the inside – and there’s another one on the opposite side – and it’s like if you say anything the sound bounces off backwards and you can hear somebody from a really long distance – like two dish satellites – and somebody’s sitting here and somebody is sitting there – the room looks like that except there’s only one of these things –
And then there’s a console over here with a non-human subject – and I’m about to draw them.
Basically, what’s behind this person is these circular shapes and almost like a dish – like a contact lens behind that (that sort of shape) is behind this subject – and its very white, it’s a lighter hue than the rest of the room, which is by comparison a little bit more greyish silvery grey hue.
Seems to be there’s this console (drawing) and there’s also this display like thing that flares out from the side on top of it and a lot of gizmos and gadgets over there in that area.

However, we have a different subject that we haven’t really seen before.
This person is a lot taller than everybody else – taller than this guy as well.
He is sitting here working the console.
He’s taller than the other little guys who pulled the guy out of bed as well – much bigger head – bigger eyes as well.
So, this guy is just a large headed dude who is working this console.
And that is what basically happened to this person.

And the rooms dimensions end here – and there’s a doorway in that direction – but this is basically what happened –
This very human looking subject was pulled out of his house while he was asleep and then he was taken but a bunch of small looking people to this non-surface structure – where he was put into a stupor – and he’s quite blank mentally – he’s just sitting there upright, spine very erect, sitting there with his hands on his lap – and just staring quite blankly forward, in that forward direction.
And this person whose doing stuff at this console, seems to be doing stuff at this console related to this individual sitting over here. But they’re not looking directly at each other.
This person seems like he’s staring blankly straight not paying attention to anything – it seems like his mind is quite blank.

.
End of Session
.

INTYSAM’s SESSION

COURTNEY BROWN (CB)
INTYSAM

CB: Alright Intysam. I want to thank you so much for coming by and having this interview type session. This is for ET News for the publication date starts in the month of March – somewhere in the month of March – and it moves forward for 30 days after the publication date – and this is ET News.
I’ve looked at this session briefly and it looks really interesting.
So why don’t you start off. We’ll skip the preliminary ideograms and start at page Four.
What do see is going on with this event?

INTYSAM:
Alright so, at first glance I was picking up irregular typography – so there were slight hills – and then a city, so lots of structures.
I could sense subjects although I couldn’t really see them, I could sense them here.
And the air, the atmospherics here, were very thick. I deducted ‘toxic’ because it was really, really thick.
Yeah, just an urban area and what seems like a harsh natural environment.

CB: So, on page 5 you have a sketch of this environment. That is quite a non-surface structure.

.
INTYSAM: Yes, a big one with the urban area beneath it – it’s quite high up there – you can see the irregular topography in this sketch. Lots of structures. The closer I got to the structures, they’re not all square like I’ve portrayed them here, they’re all very, very interesting shapes.

CB: do you remember if it looked more like human style architecture?

INTYSAM: If it was human style architecture, it wouldn’t be anywhere in the West. It had triangle tops, and there were some circular tops. So, it could be human.

CB: Triangle tops remind me of Russia, Turkey, Middle East, Thailand – things like that.
OK, so what do you have on page 6? It looks like we’re getting close-up to stuff.

INTYSAM: Just the base surface – no water here. So, it does feels very dry, like a very dry environment.
Again, with the heavy air, the thick atmospherics.
Multiple structures. So pretty city like – it felt like a city.
Subjects inside – some outside.
What was a little weird about this was how few subjects there were outside, because there’s tonnes of subjects in this area.
But it’s kind of like those horror movies and their like ‘where is everybody’ – that’s kind of what it felt like. Empty, very few subjects moving around.
And that one large surface structure.
And focusing in on the subjects – a lot of the subjects were in a focused gathering in a particular structure – so I deducted a congregation.

CB: At least some nonhuman subjects inside that group?

INTYSAM: Yeah – I could see some non-human.

CB: They look very human in your sketch. So, were some of them human, and were some of them nonhuman?

INTYSAM: I wouldn’t be able to say. I think um, I could look at them.

CB: I see. But you have this huge non-surface structure – circular type shape above.
I must admit the sketch looks very earthy.
Let’s go onto Page 8 – what do you see going on page 8

INTYSAM: More or less the same thing – multiple structures, a bunch of subjects in one particular structure – very few outside.
The whole are ais quite dim. But this non surface structure is emitting light underneath it.
It was here is where I picked up it was emitting vibrational energetics. I couldn’t put my finger on it because I could feel the energetics when I was probing. But I couldn’t tell exactly where it was coming from, but once I saw the light and I was investigating, then I could sense it was vibrating near or underneath this large non surface structure
And it is just hovering right there. It’s pretty stationary above the urban area.

CB: While you’re describing all of this, I’m looking at page 9 which is your sketch. Does that really cover everything you were saying?

.
INTYSAM: Yeah, there you go - with the domes. This sketch is a view inside the non-surface structure. When I did my 3rd flash sketch, that’s what I got.
It was looking at the view from inside the non-surface structure. There are these subjects – the shape of their heads, you can see they’re kind of bulbous. Are they Greys? And they’re operating, tinkering with little buttons and stuff, and if you look on the corner bottom right corner you can see what seems to be Reptilians which are just observing.

CB: This is inside the non-surface structure, is that right?

INTYSAM: And what you’re seeing through that view port is the urban area below the non-surface structure.

CB: And there’s vibrational energetics coming out of the urban area. Did that feel like it was being caused by the non-surface structure?

INTYSAM: I think so. Yeah, on page 8 you can see I deducted ‘earthquake’ so I was feeling those energetics on the ground – yeah but, this non surface structure was emitting light and I could feel there was some energetics, so – I just can’t say for sure.

CB: Okay, the reason I was wondering is because; Is there some type of vibrational thing that the non-surface structure is beaming down onto the populace to control their emotional state or is it something that they’re just watching and it happening with earthquake stuff?

let’s go onto Page 10. You’re moving now to the centre of the target. What do you pick up there?

INTYSAM: So, centre of the target is the urban area with are the structures which are uniquely shaped – many subjects – and most of them in this one particular structure.
And then the large non-surface structure that’s above the urban area – and here I did say that it seems to be emitting energetics – the light and the energetics can be like you see one and – I don’t know, I don’t know …

CB: I get the idea, but you’re also saying that the surrounding area of the urban centre is hard, dry environment. So that makes me think Middle Eastern, Turkey or something like that.

INTYSAM: It could be, I have no idea.

CB: Yeah, we have no idea. But it’s hard, dry environment – it doesn’t sound like Ukraine or anything like that.
Let’s go onto page 11. You’re looking to the Target activity. What’s going on there?

INTYSAM: so, the activity here is very little physical movement coming from subjects on the ground surface. Most of the activity is coming from inside the structure where there seems to be a crowd.
And then I did a collective deep mind probe to find out what exactly was the activity going on. And the subjects in that structure are definitely feeling fear and they’re stressed.

CB: Now, this is the Subjects in the surface structure?

INTYSAM: Yeah – and they were huddling as well.

CB: Fear, stress, and huddling – and the non-surface structure seems to be emitting light and vibrational energetics?

INTYSAM: yeah, and inside it I could see species like Greys and Reptilians and then I did a deep mind probe of the grey subject – of course I’m going to pick the less intimidating of the two species (laughs).
So, this grey subject is just following orders. These are one of the ones who is operating the machinery – operating the non-surface structure.
And I could see they were retrieving information from the base surface below. And also instilling fear and to subdue subjects. Is that why subjects were huddling and fearful and stressed?

CB: yeah, that what I was already about. the vibrational energetics you were perceiving - I was wondering if they were being beamed onto them – now I’m seeing that they are instilling fear to subdue the subjects. So those vibrational energetics were possibly instilling emotional kind of things.

INTYSAM: Yeah, I wrote ‘the vibrational energetics does not destroy the structures but causes an earthquake type of occurrence that make subjects feel very afraid.

CB: So, it maybe that the energetics is not directly affecting, or maybe only directly effecting the minds, but actually effecting the environment that then effects the minds.

INTYSAM: Yeah, ‘because I could feel it. Putting myself out there on the surface, I could feel the shaking.

CB: Ok let’s move onto page 12 where you’re going onto the Target Event.

INTYSAM: The event I could feel was surrounding the subjects inside the non-surface structure. To me it felt like they were searching for maybe a particular subject or trying to squash something like an ideology or activities of certain subjects on the surface. And I could also sense that this non-surface structure has made frequent visits to this surface area. And I wrote down ‘scare tactics.

CB: Scare tactics – so this is psychological warfare of some type. Interesting. Psychological manipulation of some type.
Why don’t you go to your last sketch – it seems to be wide angle – on page 15.

.
INTYSAM: so, page 15, the hilly environment, the structures on top of it, the large non surface above this area. So, a little to the south there was like a large hole – a pretty, pretty large hole.
And then you can see these thick atmospherics – this dust cloud – it’s like encapsulating this urban area.

CB: So, the possibility exists that this non-surface structure possibly actually causes some earth changes, or at least something on the ground, so that the air and maybe the land get effected by it.

INTYSAM: Yeah, it shakes things up for sure.

CB: Plus, a dust cloud.
I guess what I’m getting from this is that the non-surface structure with the Reptilians and Greys are actively involved with manipulating the psyche of the subjects on the ground.

INTYSAM: Yeah. Nothing new, right – we know it’s possible.

CB: It’s interesting to see how it’s being done from the ships.
Alright Intysam – do you have any final thoughts on the session.

INTYSAM: No that pretty much concludes my data for this session.

CB: Well, I want to thank-you so much for this ET, News. We get a glimpse into what the ETs are doing. They watch us so it’s only right that we watch them. So, I want to thank you so much.

INTYSAM: Thank-you.

End of Session
.

PRINCESS JEANEÉ SESSION

.
A lot of darkness here.
The land is very organic – organic base surface – the surface of this planet is very organic.
There’s a lot of movement – darkness I see.
White dusk, red purple, blues as well – those colours I’m seeing.
I’m seeing a structure of some sort here.
On the surface - Non surface structure.
Lots of subjects – all extraterrestrials – all big heads, like oval type situations – Big Heads, and eyes.
It’s very interesting.
So, I get this feeling of like a sense of biometrics.
A lot of movement as well.
I’m also sensing a periwinkle/ash/like a light blue/greyish/dull grey colour I’m seeing.
The subjects have a large back head.
There is a lot of movement – some type of operation – structure.
There is a surface structure here – and like a doorway type of thing.
I’m getting the sense of rebellion – that’s a deduction.
There is this giant space rock thing here.
It seems like something destructive.
Very fast – its heat – it’s hot – there’s movement surrounding it – there’s movement around it.
At the movement it is stationary, but I think this thing moves or has moved to get where it is now – it was not there before type of thing – should not be there affecting things, like messing things up, like destructive.

Natural objects not on a surface I have here.
A lot of heat energetics.
Moving rock.
Like I said, it seems to have once been stationary – it’s very dangerous.
There are steep peaks and fast kinetic energy and energetics.
Just a lot of (whoosh sounds – hand movements) energetics and (body movement to define descriptive) land-ish, and then like this – object or structure-like thing here – a lot of radiation, vibration, coming from this – moving from this – very abrasive movement by objects – movement by subjects – movement by what appears to be a giant boulder –
There is a non-surface structure there (indicates above)
Subjects in high action.
There’s no foliage here that I can see here – it’s very dry indicators here – not on the base surface.
I see this dust or clay-like effect, rock-like.
I also see something metallic that’s moving.
I see colours red, brown, orange, black.
Huge alien life here.
Minor human life here.
There’s a lot of duality in things – they seem to be working together.
A metal base that was placed there – in metal something.
There’s some duality here – varied human life and extraterrestrial life here.
And there is a covered structure that seems to be dug near a crater
And then a – I don’t know what this is – like a magical doorway or something – who knows
I see brightness and darkness – its almost like the brightness is engulfed the darkness or the darkness engulfed the brightness - the light.
There’s an engulfing situation going on – it just ate it – whatever it was I can’t figure out which side that is happening though – almost like its circling, the falling –
Movement – its either falling or moving fast in one direction.
This is a good visual here – please use this visual Courtney.
I see these non-surface structures – hilled, dipped, en-cratered land – rough, harsh natural environment here – subjects, extraterrestrial, human.
And then there’s like this… the non-surface structures are emitting energetics in a forward place – like shooting – deduction – like shooting, or like… yeah shooting – that’s what I see – towards each other – I don’t know why that’s happening – but whatever you know.
There’s a lot of duality, and things working together, and things working in opposition as well, or things networking the way they need it to work, for whatever reason.
What ever this is has triggered a battle of some sort – intergalactic – across the Moon, or a Moon.
I’m seeing colours of orange and red, and I don’t know why, I keep seeing it.
I see some crater like – or crystalized crater or roughness on the land –
You have to walk on the base surface, but it’s got these grooves, its very crystal like – craters.
Again, I see large egg head shaped subjects - I also feel like I see some Reptilians here and some Greys
And I don’t think they’re getting alone right now – why can’t they just get along
Whatever it is, is like a whole commotion and it triggered people or beings, subject from across the galaxy to come to this location.
Humans in all forms, extraterrestrial life – maybe they’re trying to work together, or maybe they’re all completely against each other, who knows,
But I did feel some strife between a set or two, and I just need them to get along because whatever this is, its really big, and its effecting things around the galaxy, I can feel it effecting things and the environment there and here – here on earth.
And it’s connected to something happening – I can feel the pull – I just wish I could see what that thing is.

Magnetic poles – mental disruptions – loud ringing in ears – polarization – opposition – where opposition would otherwise would not be – and opposition also where also usually is – and its great and its big, and its led or put on, or forced into action by something that’s happening here – right here. Its triggering – really triggering – It’s making me angry – I’m feeling very angry right now.
I’m going to pull out of this session right now.

.
End of Session
.

KAHMIA DUNSON SESSION

Starting off for my first visual I have this irregular typography
I’m seeing a lot of browns, yellows, red, golds – very earthy and dirt colours here
Everything feels natural besides this one part directly in the middle, it feels manmade – almost like created and crafted exactly to look how it looks, even though some part of it looks natural, it’s almost like it was made to look natural.
This I what I’m seeing here now (drawing)
Irregular topography here
Then I see there are many structures here sitting on here, organized structures
And then there seems to be this thing – a ball of energetics – it feels like a sun, like a miniature sun – and that is right here (drawing blue pen)
A big ball of energetics – it even looks like a shining and spinning things out – it looks crazy – like something you wouldn’t even think existed, but its right here smack in the middle of this area – and it looks like its on some sort of platform and these things look like they are holding it in place.
I actually made it slightly bigger, but just imagine there a stadium type thing and this contraption machine that is literally holding a ball of energetics – a ball of sun
Another thing to point out that there are subjects here as well.
They all seem to be right here by this machine – or by this manmade structure.
All these subjects here feel very different – they feel like their mind is static – when I probe them it’s like ‘screams’ like things are just screaming and nothing else is happening in their mind –
And they move like zombies, and like they’re moving towards this machine, touching this machine, fixing it up maybe, or building this one here –
But they are definitely improving this machine and putting it here in this area.
Because their mind is all fuzzy and empty, it feels like there’s some type of mind manipulation going on.

There seems to be a non-surface structure here, but its literally hidden behind a wall – I don’t want to say a wall of invisibility, but it literally is hidden behind something that makes it look like it’s not even there.
Non-surface structure but it’s a hidden non-surface structure – it’s like a net, a net that surrounding the non-surface structure which allows it to not be seen.
So, this non-surface structure feels like its literally right here all of the time for the most part – rarely moves, and when it does move, it just moves around this planet.
But it’s like it’s always watching – it can always come right back here and not need to take any time.

And another thing to point out – yeah this feels like a ball of energetics but its not out in the open, it feels like it’s contained inside this metal structure that’s keeping it right here inside – so image this but it has a whole other metal structure around it.

For my second visual I see more of a widespread view of what is here.
So, it is a lot of irregular topography
And some land right here
And then there’s this big hole in the ground
Big hole in the ground – then inside the hole, that’s where you see these other structures – there’s subjects inside them.
Those subjects also their head is screaming at them constantly – they don’t really have a whole lot of free thinking going on – it soes feel like they’re all mind controlled -
On the base surface for the most part
The, the scattered structures; this one structure over here which is like a platform – that’s got that big ball of energy.
And then we’ve got all these subjects surrounding it – and it feels like they all constantly work on this, or they take from it – almost like theyre mining this energy from this contained sun –

And that’s what’s happening here in this very deserted area – dirt, no foliage – nothing outside of right here. That’s why I’m saying its feels like its very manmade although it is natural looking. It was placed here, these people were placed there, and whatever is in this non-surface structure up here is definitely involved.

.
The target event is that this subject (non-surface structure) is watching over what’s happening here making sure that everything is going to plan, very much being an observer.
And these subjects are all mind-controlled subjects that seem to be doing hard labour, and it feels like slavery or something like that.
Something that I want to point out, I said all these subjects here at this target location (big hole) they all look exactly the same they look like clones of each other.
They are all thin, male subjects, and they all look like they have this pale face and mal nourished looking. They have very brown curly-ish wavy hair – but its all short hair,
And all of them are wearing the exact same clothes, and they all have the exact same demeanour – so it does feel like clone, over and over again – here at this location.

Focusing on the cause of this
I sense a single subject that does feel that they are behind this
The subject does feel like they are inside a base structure – and they do feel distant from the base surface – but they also feel like they have come in contact with the base surface before
Right now, they’re in this non-surface structure, but they do periodically come down and walk around and see what going on here.

Another thing that I’m seeing is these very dark slanted eyes and lie this big grin on their face – and they do have no hair – bald, and like this weird smile – its one of those things where I feel them feeling me feeling them. They know I’m here and theyre like smiling – nothing to say –
Probing this subject fells very so much is happening – it almost feels like it’s slightly outside my grasp – but I do sense them feeling me, and I do see this grin on their face.

Big, slanted eyes – or not big really, normal sized eyes but they are slanted, and their face is slanted too, and their head is a weird shape, I can see the brow bone here (drawing). Big creepy smile – and these sharp, sharp teeth like things, long neck, thin build subject – you get the idea. Creepy looking – dictator subject.

.
Now focusing in on this subject they feel like they think theyre a god. They are looking sown at these subjects like they are ants and theyre worker bees and he’s just living his best life.
I can sense this idea like him mining power – using this planet and its resources to create this energy source, and then exploiting these subjects to take that energy for his person use. That’s why this is all happening – because he needs power and he doesn’t want to get it himself so he’s going to come over here and take advantage of these people, mind control them, have them do his dirty work while he chills up here. Eventually comes down to collect the power then goes about his way.
These subjects never leave this area.
The area does feel newly there too, so this subject feels like they have multiple areas that are just like this with the exact same thing that is going on – and he goes from place to place to place and collects power, and then leaves.
That is what’s happening at this target.
.
End of Session
.

SUMMARY:

By Courtney Brown:
Well as you can see lots of et activity is happening, and much of it seems to relate to activities right here on earth.
But if I were to try and describe a common theme behind many of the sessions presented today, it would be the ETs are involved in a lot of mind control stuff. Managing this Planets mental state seems to be a high priority. Why control the minds of humanity unless the ETs are afraid of the minds of humanity? Something about us scares them. We may not yet be free and nearly all humanity may still be mentally enslaved, even in large part without their own knowledge of this, but none the less, we scare a great many ETs – enslaved or not enslaved.
The ETs must know something about us that they themselves are afraid to admit to themselves. Friends never underestimate who you really are - never!
So that is it for this edition of Farsight et news. The extraterrestrial news before it happens – thankyou so much for watching.
.

oops - sorry - a post in the wrong place.