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hello everyone today is going to be a complete lesson on how to do remote viewing from
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start to finish i hope you will enjoy this process with me as i will be going through the entire
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srv method so that you can get basic remote viewing skills under your belt so that you can use
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these skills in your life so that you can see through time and space without the limitations
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of linear perception remember this is a natural ability that all of you have all
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of you have done remote viewing as a natural part of your existence in the past and today we are just going through the
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process of bringing back that skill through the srv method so without further ado let's uh refer to
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my ipad which is where i do all of my remote viewing sessions you can use paper and pencil if you wish
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and let's begin
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so if you looked at any of my previous lessons we are going to start off with a 20-minute meditation the
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20-minute meditation we're going to use a mantra called shanim mana
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i'll write it down here
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[Music] so shanim mana
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shanim mana let yourself say shanim mana calmly
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over and over again that is your one job don't chastise yourself if you get
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distracted by having your awareness tugged off in some direction that because you just have a thought
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that has attracted you or something like that just remember whenever you
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realize that you have drifted off into space of thought that you come back to the mantra sha
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neem mana if you can come back to the mantra you're winning so just feel happy smile
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be at one with yourself and just say that is the only job you want to do this
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for 20 minutes and as you go through the meditation as you are deeper and deeper into consciousness just allow yourself
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to say sha nim mana everything else that pops up and bubbles up as time
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goes on it doesn't really matter just let it happen it's like the bubbles
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coming up when you're boiling water just let them float up and float out don't be attached to them
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and if you find yourself attaching to these things just be happy when you catch yourself
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and bring yourself back to the mantra sha neem mana so let's say it for
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just a couple seconds together just so you can get an idea of pacing and the calm serenity of the
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whole process shanim mana
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[Music]
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[Music]
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m
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now you're going to make sure that you do this sitting upright if you can and hopefully if you're able
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to have the flexibility to sit cross-legged that would be nice but if you can't just sit in a regular office chair something like that just
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make sure that you're comfortable and make sure that you just keep going with this mantra for 20 full minutes
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minimum so feel free to pause the video right now and go do a 20-minute meditation keep a
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timer on you if you need be but if that alarm that lets you know that the meditation has
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been 20 minutes is jarring or has a lot of staccato sounds to it you might find that discomforting so try
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to have something soothing and calm like a bell or something that's more peaceful to bring you out of that
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tranquil state because we don't want to jar the mind we want to make sure it is calm and settled as we're going through into
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this remote viewing session ready great see you in a bit
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all right you're back well it's good to see you again so let's uh
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move on to the next thing which is the srv affirmation as you can see here the srv
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affirmation is just an affirmation srv stands for scientific remote viewing if you don't
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know and the srv affirmation basically is goes as such please read it aloud with me now
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i am a spiritual being i am a spiritual being i am able to
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perceive beyond all boundaries of time and space my consciousness is ever present with
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all that is with all that ever was and with all that ever will be it is in my nature
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as a human to be able to perceive and thus to know all that there is to know
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everywhere at all times i seek to learn and thus to evolve to further my own
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personal growth and to assist others in their growth
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i direct my attention to a chosen point of existence i observe what is there i study it
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carefully i record what i find
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notice that i didn't rush through saying that you want to make sure that you say slowly and deliberately allowing all of
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the words to sink into yourself to process all of it as it comes
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so as you've done your 20-minute meditation which by the way i should have pointed
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out about the 20-minute meditation you don't have to keep a very strict rigid
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tempo to you saying i've had sometimes and quite often
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actually meditation sessions where my mantra tends to fade from thought and i have these
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moments these long arcing moments of just silence and peace where no thought comes about and it's
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just this long extended time before i bring in that mantra again
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sometimes i could guess that maybe a full 10 minutes go by before i actually say the mantra again
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and there are no other thoughts that are popping up in my mind at that time you want to make sure that you really
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shoot for a very deep and tranquil state when you're meditating and as you see
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lots of bubbles and percolations of thoughts and ideas and what you're thinking about for
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dinner and what you're going to do later on and who's this going to say and what does that mean to you all these sort of
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thoughts that are just popping off like popcorn in your head just let them be
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you don't fight them to get them to go away you let them do what they want to do which is pop around and just anchor
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yourself to the mantra sha neem mana
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watch all of that chaos float around and just be aware and mindful of it but
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the only thing that really deserves your attention is the mantra
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as you are finishing your meditation and going on to the srv affirmation you will be happy to see
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that that requires the exact same methodology as the next step in this remote viewing
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process each word in the srv affirmation is a form of neuro-linguistic programming
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that programs your mind to realize what you are capable of that you
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are a spiritual being and you are able to perceive through all time and space
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and we're about to do it together right now so the next thing i want to show you
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guys is the advanced srv vocabulary list for describing target elements
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all of these papers can be found on our website at farsight.org
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you want to make sure that you just go through this if this is your first time trying doing this so we have base
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surfaces land water atmospherics structures and many more
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these basic target elements are basic terms that can describe
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basic features that together comprise virtually all elements of
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corporeal existence for example we tend to use these low
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level terms so for example if i'm feeling something that's hard
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i'll say this is a hard man-made bass surface if that's something that
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i'm perceiving these are all low-level terms i'm not going to feel something
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and then say oh that's the asphalt of a road right off the bat that might be what it is but during the
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srv procedure we want to keep our conscious mind at a very low level state so we want to make sure that we're
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always saying things with low level terms and anything that's high level we will call a deduction
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something that we'll go into later on in the lesson so take some time just to read the
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advanced srv vocabulary for describing target elements to yourself
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bay surfaces land water atmospherics structures natural objects subjects mountains
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non-surface structures notice that we don't call them ufos and we don't call them airplanes or helicopters
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we call them non-surface structures a low level term that is all
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encompassing of what we will further go into with later interrogation of the data as the
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session goes on light general environment
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energetics activity sounds temperatures dominant session elements
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and sketches should include some of the following elements i'll be honest with you i always skip that part so i'm not going to describe
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it all right so let's go through the
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advanced srv template together here and now so your first thing on the second page
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is the target coordinates you can read all of the in conscious mind and subspace mind
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instructions on your own but let's just go through exactly what i pay attention to
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as i go through a remote viewing session first things first target coordinates now i have another
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video that can show you exactly how i get these target coordinates
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and they're always just coming from a random number generator as you can see pythonista has a
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target that i this is a script that i actually wrote in python and i added this as a widget to my ipad
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you can also go to the farsight website and find an eight number to random number generator
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i've actually also used random numbers sometimes from just picking random numbers that i find on
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the back of nutrition facts of a barcode on like a a can of soda or some
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sparkling water or like a neutral grain bar or something like that you know just uh
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just any any random numbers will do but uh we prefer to use in a more official
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capacity a random number generator one you can find on our website or
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you can check another video on my youtube channel aziz brown that has an instruction on how to get
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this exact widget on your apple ios device with paisleysta
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so the next thing you would want to do is get a sticky note or another piece of paper or you can use
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your phone as well to take a picture of that and you want to put it off to the side so you can refer to those random numbers
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just by glancing up to the left of the desk or wherever you're sitting at the time of doing the session i'm standing up
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right now so i'm just going to be holding my ipad and talking about everything that i go through
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let's go and write down these random target coordinates so eight okay well it changed five six
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nine seven one four two eight five six nine seven one four two eight
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five six nine seven one four two eight notice i put a slash
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in between the four numbers four numbers slash and then another four numbers that is the
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srv way of putting all of our our random target coordinates over there because we're going to write the first
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four numbers and then underneath it we're going to write the second four numbers and after that we'll let an ideogram out
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so the next thing we're going to do is session number everything else here is for organizational purposes only
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so since this is a practice session we're going to write down session number one because it's our
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first practice session together then for experiment number we're going to write down practice
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because this is something that we're going to do to practice the data type is going to be three if
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you're doing it solo or if you have a monitor present you're going to write down four
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technically you're doing this solo because i'm just a video talking to you teaching you the methodologies so let's
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write down three in the monitoring level let's write down solo
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the interviewer is basically going to be a monitor but we use the word interviewer because if you're not
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learning remote viewing if you're not a student at this time and you're actually running on an actual
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project for farsight or for whatever remote viewing group that you may be a part of soon or uh just a personal thing that
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you have a monitor present for you just write down their name and when you actually use the word interviewer
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because at a point you're not really learning how to remote view exactly
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with the session you're more or less you're there at a target you're completely blind to the target
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you don't know anything except for these eight numbers these target coordinates and you don't know what to look for
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so the person who does know the target who's not telling you the target is the interviewer and the interviewer
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is the one who's going to tell you all right now you look over here look into that subject's mind tell me
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what they're thinking look over there move to this event you don't really know what to look for because you don't know
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what's what what's important there but the interviewer does so say for example you're
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well i don't know you're uh looking at jesus and jesus is doing his sermon on the mount type of thing you might see a guy
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up on the mount but you might not know exactly that he's the person that you're there to investigate
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so the interviewer would come in and say okay well move to subject x and then you go to subject x and then
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the interviewer would tell you do a deep mind probe on subject x and then you go into the mind and then you
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begin to have a telepathic communication at that point we'll get to all of that but that's the point of the interviewer the interviewer
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is basically the person who's directing the perceptions the remote viewer is more like a pair of binoculars
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and the person who's holding the binoculars tends to be the interviewer so it's good to make some friends doing
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remote viewing so that you can trade back and forth between being interviewer and remote viewers so that
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you can figure out the secrets of the universe together which is infinitely more fun in
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my opinion ps this stands for physical state
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if your physical body is not okay then tend to yourself put the remote viewing
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down for a little while and make sure that you're healthy and happy going into this you want to be calm and you don't want
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to have a debilitating injury that's taking up a lot of your mental attention
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so otherwise okay es emotional state if you've gone through something traumatic so far
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that is uh really causing it uh causing yourself a lot of difficulty
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just sitting with yourself and it's created quite a bit of emotional turmoil
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in you you don't really want the emotional state to just be out of whack and you should basically be
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able to gauge this just during your meditation if you're really jittery and amped up and stuff like that
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maybe meditate for a little longer than 20 minutes so you can get that down if you've gone through something traumatic maybe give yourself a week or
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something to get over whatever's been going on and allow yourself to calm down a little bit and be more at peace with yourself and
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in your own skin so emotional state let's write down okay
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i will also point out that a lot of the energy work that a lot of light workers tend to do is quite
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beneficial at this point because the more your emotions are calm and tranquil the better and
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clearer your remote viewing is going to be because there's less confetti or snow globe can
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stuff that is floating around because of any emotional or mental volatility that
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may be going on in your subconscious or even your conscious mind conscious mind
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so advanced perceptuals this is basically something if you're writing down all this stuff and in your
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head you're saying i know it's a mountain i'm about to look at a mountain you want to get that out of your head before you
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go forward because if you're thinking i'm about to look at a mountain then all you're going to be imagining in your head is in a mountain
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is a mountain all the confetti that you're trying to calm down it's all taking the shape of a mountain
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and you want to make sure that you just get that stuff out of your head and push it out and make sure that a good way you do that is with our
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first deduction you basically would draw out the mountain you might call it mountain
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and then you would put the pen down and then take your hands off of whatever you're touching and put
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them flat on the desk if you're at a desk or on the ground if you're on the ground or if you're sitting cross-legged maybe
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just put them on your knees or something like that depending on if you're using a desk or if you're using an ipad or something
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like that if you don't have any advanced perceptuals let us erase this if you don't have any
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advanced perceptuals why don't you just write down none don't try to invent advanced perceptuals if you don't
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have any if you get to this point and you don't have any thoughts that have been plaguing you of what you think the target's going to be
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just write down none let's move on the rest is self-explanatory it's your name the date and the time these are also
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just for organizational purposes because you want to make sure that during a scientific experiment you're
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giving yourself a good record keeping a good chance at good record keeping
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so yeah write your name
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as he's brown maybe have better handwriting than i do and the date 7 of may
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20 21 and the time is 4 41 p.m very good
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so this is our first page so we're going to number all of our pages remember that guys number your pages if you aren't using
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the ipad and you're using actual loose leaf paper you wouldn't believe how much of a
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nightmare it is once you've got like a 25 page great session and then you trip and drop the whole thing and then all the pages
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scatter about you might think it might not happen to you but no one plans to have an accident those accidents can and will
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happen the more you get into this be a good scientist and number your pages
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all right so we're going to the next one next page so this is going to be page two
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on page two we're going to go through a idiogram warm-up session so these idiogram warm-ups are going to
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be an attempt where we are going to be writing out our random target coordinates and then going to the
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ideograms so let's describe what an idiogram is really quickly an idiogram is what i'm showing right
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here you have structure ideograms you have land idiograms mountain subject water energetics and
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movement idiograms well let me write down some of these idiograms these eddigrams you want to
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write them down quickly you want to say these words to yourself as a practice on a blank piece of paper
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you want to say these words to yourself and write them down as soon as you finish saying the word not before you finish saying the word
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not during you saying the word you want to be able to say structure and then draw out the
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structure so just so you can see structure structure structure
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you see what i'm doing it's structure structure structure you don't have to do every
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single one of the structures but it's good practice to try to get all of them in there let's move on to land it's just a
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straight line across really easy so let's just say land land land
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see just keep doing that mountain mountain mountain mountain subject
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subject subject subject water water water water all right so here's
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where i get into a little bit of debate with people obviously my water ideograms are way more wavy than
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the other official water ideogram here on the page i just like mine better that's it
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moving on energetics so the energetics that is erratic
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chaos it's there's no rhyme or reason to it energetics energetics
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energetics you see now let's go to movement so movement movement movement those ones
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tend to go on a little bit longer but as you can see i'm here at the here at the edge of the page you don't
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want to do that when you're doing a remote viewing session you don't want to have your hand be all crunched up at the bottom of the page do
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whatever you need to do to give yourself ample space so that you can
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not mentally feel like you're hindered as you're going through your perceptions or your drawings or
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anything even if you're just writing down words but when you mentally allow yourself to feel like you have to
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cut stuff off truncate data because you're running out of space you're losing valuable data you're
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making a mental subconscious thing in your mind like a like a roadblock
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that's going to stop the flow of data so you want to make sure that you're stacking all the cards in
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your favor here you want to make sure that you're able to give yourself enough space to where you can just
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go in whatever direction to do whatever you need to do let's do movement again movement
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movement movement movement movement movement see as you can see movement also looks very
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similar to land at least like with this one looks very similar to land you really just want to do your own best
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guess for these types of things and you'll see more of why i say best guess as we go into the idiogram warm-ups
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all right so let's do an idiogram warm-up together
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okay so i've got the random target coordinates up in the corner and typically you wouldn't want to have
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these on the same page you would want to put them on as a picture take a picture on your phone put them up there
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i mean typically you wouldn't be doing a remote viewing session standing up like i'm doing right now but this is just for educational
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purposes so i'm not really going through the actual remote viewing thing i'm actually just going through the methodologies which you will do
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as well and then you'd be able to get some good data from the stuff
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so the way you want to have it come out five six nine seven one four two eight
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see right there what do you what a d gram does that look like to you the il right here that's your best
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guess you're giving your best guess of what that ideogram is so let's write down subject
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boom you're doing a great job guys all right so a that's describing the movement of the
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pen so curving upwards
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curving over curving under
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that is describing the movement of the pen because we went curving upwards curving over
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and then curving under that's it so then we're going to probe into here
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probing is the lifeblood of all remote viewing what we're going to do here is you're going to probe in and you're going to
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feel an immediate response back immediate kickback just be open to it don't try to dig for
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it don't feel like you got to be an archaeologist go on just probe in with the intention
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of having something come back to you and we're going to set the parameters right now
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i'm going to write them down over here so you want to have either hard you want to say this to yourself
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before you probe say hard soft semi
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hard semi soft
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wet or mushy all right hard soft semi-hard
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semi-soft wet or mushy you okay all right so i'm going to probe into the
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subject idiogram i'm going to say it to myself hard soft semi-hard semi-soft
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wet or mushy i probe in i touch it you see i'm touching the subject idiogram you see me with my pen i touch that is
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the probe the second that i make contact that is me probing moving my awareness through the pen into
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the idiogram into the target going to the subject or whatever just going wherever i end up in the
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target i don't know then i probe in and i'm saying to myself what is it hard soft semi-hard semi-soft wet or
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mushy i probe in and the first feeling i get back of which one of those accurately describes it soft
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okay i'm gonna write down soft now just try to follow along with me
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right now i have this whole procedure memorized because i've done it so many times so don't feel like you're right now like
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i'm gonna get this right i'm not going to reveal some target at the end right now we're just going through the
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methodologies and if you can know the methodologies then you can practice this on your own and then you can do this with a target
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and i'll tell you how to get that whole experiment set up at the end of this methodology lesson type of thing so
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next one we're going to do is in this blank space that we have here the next
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one that we're going to do is natural
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man-made artificial
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movement energetics
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great so we're going to do another pro probing and that first feeling that you get back the first
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initial feeling are you beginning to see why it's why it matters that you're in a calm and tranquil state
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because if you're not imagining all these other things coming in you're not imagining what you think it's
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going to be then your conscious mind isn't doing stuff because you imagining something is your
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conscious mind putting stuff out there you have to be a receptive radio signal right now you have to be able to receive
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the information so you're going in there you're pursuing the target you go in you probe you say to yourself natural
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man-made artificial movement or energetics probe in touch it touch it if this is a
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subject you're going through here if i'm the subject you're going to try to grab its face grab just go in just just
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do this it sounds weird but probe in use your awareness probe in and
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just feel the face try to feel the subject's face try to feel it try to feel what you're what you're
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touching if it feels natural feels like soft and natural okay
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great write down natural boom you're touching a subject's face
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you're touching a subject something and it feels soft and it feels natural now sometimes you're going to get
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perceptions that don't really add up you're going to get a subject and you're going to say okay i'm going to probe
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i'm going to touch the face is it soft and i'm expecting you're expecting soft or something like that don't expect anything you'll figure out
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very quickly as you're doing better and better sessions it's good not to expect anything some
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subjects don't have like imagine if the subject has a motorcycle helmet you're going to touch the face and you're going to feel hardness you're going to feel
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like like i don't know man-made hard it's going to feel weird so you're not going to immediately know
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oh he's wearing a motorcycle helmet if you did feel late and you wanted to say that you're going to make a deduction off on the side
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you're going to say if you felt like this was hard and you imagine to yourself like this
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guy's got a motorcycle helmet on that's the conscious mind filling in the gaps of an of a of an odd
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perception you have to realize that your conscious mind will readily fill in the gaps
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of perceptions so big capital d minus and then or a hyphen
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and then you would say helmet or motorcycle helmet that's high level
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data we don't say helmet we say head gear and we wouldn't say it at this point this point is the
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er is warm-ups you're doing a warm-up so really there would be really no reason to even put a deduction at
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this point but we're going through the methodologies i want to make sure that i talk about all this stuff when you're doing the probing
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all right so if you got hard and you got man-made
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then you might still think it's a subject but what if you try doing you try doing something and you felt
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like it was hard and then you felt like it was energetics hmm that doesn't really make sense as
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subject feels hard and energetic it's all this conflicting data doesn't really paint a
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nice picture so for the b your b is your best guess that's what the b stands for best guess
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i don't know if it's really what the b stands for but in my world that's what it stands for best guess
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so i'm going to put down no b however let's remember
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if it was soft and
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natural fleshy body soft it feels natural then let's just say your best guess is
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that yeah feels like a subject it walks like a duck and it talks like a duck it's probably a duck you know it's a see if it seems like a
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subject feels like a subject just put down subject it's your best guess now as you'll see on this page we've got
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three sections to do this three times and then on the next page page three
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you do it three more times
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take some time pause the video do this for yourself three times then another three times doesn't matter
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if you're actually saying like am i really perceiving anything just trying to get the the flow of the hand the methodologies try to build up
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the muscle memory of doing this and try to let all of the process sink into yourself you're doing a great job just
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getting this far you're doing a wonderful job i believe in you you should believe in you too all right
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so let's go to number four page four this is going to be a great one guys so this is basically the meat of the
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session happens on page four so what you're going to do is you're going to put down your random
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target coordinates right here now remember this is bad practice to write it up in the corner right here
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i never do this i never write the target core and it's up in the corner right here but i'm just teaching the methodology so
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i'm gonna put the coordinates up there just because i'm i don't have a desk in front of me i'm not there's not a floor where
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i can take a picture and put my phone on the floor right there and i can refer to it i'm standing up doing a presentation for
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you guys so i want to just be able to see it so i'm writing it in the corner right over there both you at home if you're sitting at a desk get a sticky
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note or something just write along a little scrap piece of paper put it off in the corner so you can look
33:20
elsewhere on a separate piece of paper that's the that's the official way
33:25
so anyway don't ask me why it's that's the way that's just that's the
33:31
way i was taught and it was a big deal when i was taught that way all right so i'm pretty sure it has to do with some sort of mental
33:37
thing you want to just make sure that there's not there's the least amount of clutter on the page so you can just put just all your
33:43
perceptions diarrhea of the pen is as a statement my dad always says just let it flow just let the pen
33:49
do what it needs to do all right so so you need space all right so let's go through and do the
33:55
random target coordinates and all that ready say it do it
34:01
do it with me actually let's do it together with the fast tempo as i'm barking out the numbers
34:07
after you finish those eight numbers you want to make sure that your pen touches the space next to it and let an
34:14
ideogram pop out any ideogram you want to make sure it happens fast you're not skipping a beat
34:19
if i'm doing five six nine seven one four two eight boom then the ideogram pops out you
34:25
wanna put it really quickly all right follow along with me just watch and then like we'll you can rewind and
34:32
let it happen again five six nine seven one four two
34:40
eight all right so subject to eager and popped out again but you saw what i did there i said five
34:45
six nine seven one four two eight now i put the pen right to the side like i'm about to
34:50
write another number but an idiogram pops out you wanna set that mental parameter
34:56
an idiogram is supposed to pop out now if you're going out and you're doing these weird idiograms that are just like
35:03
like you're not really able to hone in yourself to do just one of the regular normal
35:09
ideograms just do it just give yourself parameters
35:16
it's like you're a computer program these are the parameters that you have to give yourself give yourself the parameters to do
35:23
standard ideograms and how do you better give yourself parameters well use neuro-linguistic programming just
35:30
say it to yourself standard ideogram labels please i say please
35:35
people don't really say please that often but you're talking to yourself you're talking to your higher self be polite standard ideogram labels
35:42
please and then try it again again again you want to do this as many times as possible you want to build up the muscle
35:49
memory for it so get a blank piece of paper and just keep doing it if you're having struggle if you're having trouble getting the tempo down five six nine
35:56
seven one four two eight boom the eddy gram coming out right after that if you're a
36:02
little too slow with writing just for your own personal pace then do it as fast as you can
36:08
everybody's body is different so this is the way i do it this is the tempo i do it as if you need a little bit more time
36:15
because you're just not able to write as fast as i am then that's fine you just want to make sure that you're giving the least amount
36:21
of time possible for the conscious mind to come in and and make decisions you don't want it to make
36:28
decisions you want it to happen automatically because you're just trying to keep up good all right so let's go through the
36:35
process i'm going to go through it a little faster this time idiogram label what does that look like to you guys looks like a subject idram
36:42
to me so we're going to write down subject describing the movement of the pen let's just write down curve actually you know what let's uh
36:49
let's erase this idiogram and let's do a different ideogram just because i'm supposed to be teaching you
36:54
guys so let's just let's pretend it's a mount in a d gram let's pretend that's the one i let out
37:00
so what does it look like it's a mountain all right so sloping upwards
37:10
peaking sloping downwards
37:20
fantastic probe in hard soft semi-hard semi-soft wet or mushy
37:27
they feel hard or soft okay was it feel soft alright soft natural man-made artificial
37:34
movement energetics probing in oh it feels natural okay natural
37:40
now you might be tempted to say something else like oh soft it's natural feels like sand to me cool down cool
37:47
your jets we're gonna get to all that stuff just soft it feels natural okay let's move on
37:53
to the next one you got your data don't worry about it so it's the three
37:58
and the four we haven't talked about this one yet three and the four that is static or
38:04
dynamic is the third one is 3 and that's going to be a d plus or a d
38:09
minus lowercase d this time the d plus this one this one means dynamic
38:17
the d minus this one means static all right then c plus oh my voice cracks
38:26
this one is complex and then c minus is simplex
38:35
so basically for three and four you want to just say all right well i'm probing in here feels
38:41
like there's not a lot of big movements or anything like that just feels like i'm kind of just like there and you just want you don't want to just
38:47
sit and wait and just be like is anything going to move just probe in take a quick look around
38:52
it feel like everything's just am i just sitting right here it feels like i'm just sitting on the side of a slope or something like that all right
38:58
d minus static so then you just write down d minus boom you're done go to number four if it
39:05
feels like there's all sorts of crazy stuff going on and you can't really get a handle of what's going on
39:10
don't try to figure it out just write down c plus complex if not if it feels like it's
39:17
it's like really dynamic and there's a lot of things going on you're just going to do d plus and then
39:22
if it feels like it's very simple not a lot's happening though uh c minus got it
39:29
so dynamic and static that's more for the movement the activity the simplex and complex that's just is
39:34
it a complicated type of scene that you're looking at or does it feel very simple not much going on
39:39
don't dwell on these things too much these are just getting the we're just getting the engine going right now
39:45
for the bee best guess if it feels like a mountain seems like a mountain if you feel like
39:50
it's more of a hill than a mountain whatever you're just going to call it a mountain the mountain idiogram is for that a regular
39:56
type of topography so let's write down mountain
40:02
all right so now we're going to go back to this advanced srv vocabulary page
40:07
the advanced srv vocabulary page this is where we're going to go through each and every one of these things
40:13
what's the first one base surfaces so we're going to go back bay surfaces
40:18
we're looking for base surfaces i'm going to probe right in and all i'm looking for is is there a base surface if i try to
40:27
push my awareness into the 80 gram through the pen into the adidas i just try to push myself down and i'm
40:32
just like is there is there something is there something below me here and it's like okay there's a bass
40:38
surface now i'm going to write down bass surface
40:44
all right what's the next thing level or irregular topography these are
40:50
the next really two things this thing's kind of just redundant right here it says surfaces but you know level or regular topography
40:58
is the topography level flat or is it irregular is there a slope to it or
41:03
something like that now if i'm on the side of this oopsies
41:09
if i'm on the side of this mountain and i'm probing him right here and i'm feeling like okay and it feels like there's a feels like there's a slope to this all
41:16
right then i'm going to write down a regular topography
41:23
now i will be honest the more psychic that you get from doing more and more of these types of things the more you'll be able to really just
41:29
have more vivid perceptions of all sorts of stuff like this but if you're just starting out and you're going from being like
41:35
straight up helen keller to trying to get like just basic psychic abilities then just do it the way i'm talking
41:41
about it so it's just uh you just try to try to just go with the really low level things because if
41:46
you're trying to jump too far too fast and you're trying to say i'm seeing all of mount everest and this is like
41:51
you're just here you probably might just be on a golf mound you know and then you're just making up mount everest because you're feeling like this
41:58
is a regular topography are you realizing now this is why we have to use these low-level terms
42:03
to temper the conscious mind keep saying like chill relax relax we're just finding out is it
42:10
level or irregular topography we're not throwing ourselves in the himalayan mountains because you might just be sitting on a
42:16
golf course just be calm with it all right
42:21
and that happens for everybody you're inevitably going to have one of those situations where you're going to be
42:26
doing some remote viewing session and then you think like you're looking at some vast reptilian invasion or something
42:32
like that and then you find out later oh i was in a walmart
42:38
so i don't know anyway so next thing is next is uh land which land
42:45
i do feel like that is a bit redundant with the with the base surfaces thing you can go through it on your own
42:52
water i'm gonna go to water now so i'm gonna probe in and all i'm gonna do is just look around
42:57
is there any water there i don't see any water there so i'm not going to write anything down if i did see water i write down water i
43:04
don't have to describe all this stuff about the water i don't have to say all these amazing things like the water's over here it's in a river
43:10
it's doing all that stuff just relax one step at a time we just noticed that there's water there
43:16
that's all you're going to write down is water then let's just write down you can you can
43:21
probe again if you did see that there was water you probe again and then you can ask yourself all right well is there a land water
43:27
interface is the whole thing water or is there like a point where the water and the land meet
43:32
then you would write down land water interface you can also do more tests ice or snow and as you can see as you probe you're
43:39
basically asking a yes or no question or uh if they give you a two options ice
43:45
or snow type of thing is it feel like it's like a cold type of solid type of thing with the water or is it just liquid
43:50
you know type of thing it can be cold liquid but that's fine is it liquid or is this more solid type of formation of
43:55
the water so you want to go through all of this and they're all just yes or no questions basically
44:01
atmospherics is just a smell does it smell like it's natural smells there it smells like it's man-made smells you
44:07
probe in and you just smell don't use your physical nose but use your energetic nose you probe it and
44:12
just your awareness to and then smell through in the target area what does
44:19
that smell like does it smell like there's no air at all write it down does it smell like a smoke or burning sense
44:25
write it down do you feel like there's cloud dynamics in the sky probe in figure it out your first
44:32
impression the first feeling you get that's the one that you write down if you're sitting there and you're
44:37
thinking about it and you're calculating no the conscious mind is what calculates the conscious mind has no place here
44:44
the conscious mind has one job and it's to make sure that you're able to pick your pen up and probe it has no other job in terms
44:51
of the actual perceptions of the remote viewing procedure
44:56
so you probe it and that first thing that comes back it'll happen instantaneously asking ye shall receive you ask the
45:03
question you say structures okay so structures is here on the um on the thing so i'm going to
45:10
go over to the idiogram i'm going to probe in i'm going to look around is there any structures there i'm looking around
45:16
with my mind's eye in the thing i'm with my awareness and i'm looking around and i'm just like
45:22
okay i see a little structure over there little little thing that's all i'm gonna write down so
45:27
structure oopsies if you can right all right structure
45:33
structure and use better handwriting than i'm doing my handwriting's atrocious right now because i'm standing
45:39
up and i'm holding this and this hand is getting kind of sore so structure and then the next thing you're going to write down okay is it
45:45
more than one structure see probing again and you say like okay if there's more than one it's like all right
45:50
multiple structures if it doesn't feel like there's more than one then you just want to say solo structure
45:56
that's it so let's write down solo solo structure now i'm just making
46:03
these guesses i'm not actually trying to perceive anything but i'm just making guesses of stuff because i want to show you the methodology
46:09
remember i'm just showing you the methodology follow along just so you can practice but this is
46:15
exactly what remote viewing is like when you actually sit down to do a session for yourself you're going to be
46:20
sitting down here and you're just going to be doing the exact same process there is no difference between what i'm doing now
46:26
on video for you and what i actually do when i'm doing a real remote viewing
46:31
session so next thing is a flash sketch so a flash sketch you're going to put
46:38
put the clipboard or whatever you're working with the put it down on the desk and you put your hands flat on the desk
46:44
like this i'll put this down all right so you put
46:49
your hands flat on the desk i'm gonna stand this way so you're gonna put your hands flat and then you're gonna tilt
46:54
you're gonna close your eyes close your eyes tilt your head up to a 45 degree angle
47:00
as you hit that exact 45 degree angle allow an image to flash onto the
47:07
blackness of your eyelids really quickly just allow it to just pop just like that
47:12
and it's going to happen for an instance and it's going to be like you lift your head up and then
47:19
and then you're going to just draw it whatever picture it was your intention is to see a wide angle image of what
47:25
you've been probing and asking these yes or no questions for so your intention is to see that wide
47:31
angle image of it so you're like sitting like this and you 45 degree angle eyes are closed hands
47:38
are on the desk hands are on your knees or whatever if you're meditating in a cross-legged type of thing
47:43
then you 45 degrees up you hit that 45 degree angle and you
47:49
allow that whatever to just flash on the blacks of your eyelids i don't really like to uh
47:56
i don't really like to have a lot of bright lights on the other side of my eyelids because then i see the lights through it
48:01
and it's kind of weird for me to perceive it accurately when i'm looking at that it kind of distracts me seeing those bright lights
48:07
on the opposite ends of my eyelids so basically i would say maybe face
48:13
a direction in the room where there's not a big bright light i've got these big bright lights that are shining on me in the studio right now but you know
48:20
for yourself where you are just face a darker area of the room close your eyes 45 degree angle upwards
48:26
and allow some whatever image to pop up on the backs of your eyelids and it's the first image
48:31
the first image this is a i find that a lot of people struggle with this part but
48:38
just practice with it don't beat yourself up just keep doing it repetition repetition just
48:44
keep it going then you're going to draw it so if i saw this mountain
48:49
right here i didn't really see any other mountains and i saw a little structure right here boom that's it and then remember to
48:57
number your pages so this is page five you're done all right so next page page six well
49:05
what do you know it's the exact same as page four fantastic so page five page six
49:14
boom page seven is the exact same so you're just going to repeat these things
49:19
three times so that's all you got to do you repeat this process of yes or no with these uh advanced uh
49:26
vocabulary sheet and you just probe in and you want to just get these get the accumulation of data
49:32
and eventually you're going to have a huge list of all sorts of stuff here
49:38
now this is something that i see people doing on and off but the d portion right over here this
49:44
portion is actually for officially it's for you to draw pictures so if i'm seeing a base surface a level
49:51
topography in a structure and i'm getting like a mountain and
49:56
i think it's a solo mountain there's no other mountains around it then i'll probably draw a little mountain here i'll probably draw
50:01
things like the pictures of things as i'm going through if i'm seeing like multiple subjects
50:10
subjects maybe i'll draw like a a bunch of little subject idiograms over here i'm not really worried about being too
50:16
detailed over here i want to be more detailed when i'm over here with the flash sketch because when i see it and
50:22
i'm flat and it's like it flashes up at me then i really want to draw this and take my time to draw this as much with as much
50:28
detail as what flashed on the blacks of my eyelids so then i'm sort of looking at this sort of
50:33
thing and that might be what i draw in the d area however depending on the size of which you write
50:39
you might not have space to draw anything because your c area as you're going through all of these
50:44
advanced vocabulary things you see there's a lot of words there so you might end up drawing like a whole
50:49
bunch of other stuff you know like there might be an nss over here blah blah blah blah blah blah blah blah blah and so you
50:55
don't really have time to draw any of the pictures or you don't have space to draw any of the pictures that's fine it's not a big deal make
51:02
sure you just put the pictures as best you can over here in the flash sketch maybe you'll end up seeing a non-surface
51:07
structure and i don't really give too much too much detail into these sort of things you can always investigate further later on in
51:15
the session so you do this three times you do this right for this one
51:21
you do it again another flash sketch you do it another time and then boom another flash sketch and
51:27
then now you probe and describe movement and activity this is a newer page
51:32
so you just probe in there and if you feel like you're seeing a bunch of subjects running around or something
51:37
like that boom you just want to draw draw some subjects
51:44
running around like that if that's the activity you're
51:49
seeing then that's the activity you're seeing if you're seeing like a non-surface structure beaming down some
51:56
i don't know wonder woman like purple healing rays
52:01
so it's it's beaming purple healing rays at people and curing them if whatever diseases i don't know whatever
52:06
you're seeing you really wouldn't get to see the curing them of the diseases right off the bat that's a
52:13
pretty high level description but if you're seeing purple energetics purple hues you would write that down
52:19
purple hues energetics
52:26
and it's shooting from the nss
52:31
to subjects you want to label everything in your in your sketches label
52:37
everything like even for this one i i would say you would want to label this nss
52:42
you would want to label this mountain you want to label this structure
52:50
because if you don't label things then you're just trusting that people can somehow
52:56
understand your drawings and they're all going to everyone who reads your session depending on how good of an
53:02
artist you are they might not come to the same conclusions of what you're looking at based on your actual sessions
53:07
so you want to label everything because that's really just good practice so that other people can follow you along what the data is that
53:13
you're bringing to the table so this one
53:18
we actually use this a lot more in the futures projects this page so i'm going to skip it right now but
53:24
you're welcome to do it all these dots here you just probe in temperature
53:29
all right i actually number these things when i do it so i do four five six seven so then i do one
53:37
and then i probe into this dot right here and i'm probing into the temperature okay the temperature okay
53:43
i'm feeling like it's hot so i'm going to write down hot and then you just continue to go through the on the base surface what are you
53:48
seeing on the base surface probing i'm seeing a structure maybe a mountain write that down foliage and just really brief
53:55
descriptions you don't have to give the whole kitchen sink so now let's move on to the
54:01
movement page so you want to start off here at m2 this is where you start start
54:08
right there m2 so you probe here this is just u on the base surface there's that
54:13
structure and so you can write down structure
54:19
and then you can say mountain great move immediately above the base
54:25
surface okay so say you're gonna you're gonna get different data as you go through so like over here you
54:31
see i didn't get any water i didn't write it i write down any water maybe on this page the next time you go
54:37
through it you do notice a little bit of water that's fine just add it in don't hang yourself up on the idea well i
54:43
didn't see water before but now i'm seeing water now this is weird it's okay just write the
54:49
data as you go through so at the end of your of more and more of this session going
54:55
through you're going to see a larger accumulation of the data all piling up all together
55:00
and then you're going to have a much more vivid picture once you're on page 12 15 20
55:06
or something like that of the session so as we go through here maybe a b
55:11
immediately above you're noticing water and then you write down distant so it's just you're noticing a little bit of
55:17
distant water and then we always go one mile up into the sky roughly 5 000 feet
55:23
so then we go all the way up and as you're drawing in your mind's eye if you're calm as
55:29
you're drawing you can kind of see like a vhs cassette and fast forward just of you just sliding your awareness up up up up up up
55:36
and now you're looking down and then you're able to see just like oh wow okay so now i'm seeing this mountain over here
55:42
i'm seeing the structure over here seeing a big body of water over there let me color that in blue
55:50
and then the horizons over here and maybe a little a few more mountains over
55:56
there because now when you're seeing when you're probing into it from the m4 you're seeing everything from 5000 feet
56:02
into the sky i hope you're able to follow along to the idea that all of these things
56:08
are just directing your attention in a very calculated way
56:13
you're able to do all of this without the session paper you're able to do all of this on your own just sitting in
56:19
meditation however the session the srv method allows you to fine tune and direct your
56:25
intentions when you have a clear mind in a very surgically precise way
56:30
and that is what helps make remote viewing sessions so accurate and so possible
56:36
i it really can prove to yourself that you're able to do these things with the remote viewing srv method that
56:43
is why i highly recommend you learn remote viewing not just so that you can enjoy the aspect of nonlinear perception
56:49
but so that you can prove to yourself in a scientific setting in a controlled environment that with only eight random numbers you
56:56
can see anything regardless of the limitations of time or space so as you've directed your
57:03
perception 5000 feet into the air and then you probe the dot then you can see the whole environment
57:09
from 5000 feet in the air you don't have to imagine it it's gonna the perception will come to
57:15
you if you just have a mind that you can calm and down enough to allow that perception to come
57:21
you ask with your intention your feeling and you will receive
57:27
so m1 is actually if you're going underground so i'm not i usually skip this
57:35
usually the interviewer tells me okay let's go and look underground and that doesn't always mean that
57:40
there's something underground we're just checking to see if there's anything underground and most of the time that i have done
57:45
the m1 just by myself just thinking let me see if there's something underground 1000 feet underground and then i just
57:53
don't i just feel darkness and dirt and stuff like that so i usually skip this part unless the interviewer if i'm doing a
58:00
monitor session with an interviewer like my dad or somebody else who's directing my perceptions and i'm just
58:05
the binoculars if they're curious about seeing like okay we're seeing a facility or something like that a bunch of
58:11
structures let's go underground sometimes there is something underground if that's for a target that that is
58:17
something that's interesting sometimes i there is something underground but i only go down a
58:22
thousand feet and that's not deep enough underground for me to find whatever it is underground so
58:28
this is another good reason why you want to have the conscious mind really reigned in because if the conscious mind says i'm
58:34
in area 51. i'm about to find some reptilians i'm about to go and see some aliens you
58:40
know you're going to just imagine all these types of things and if you're just imagining all these types of things and the interviewer
58:47
isn't sending you to those places isn't trying to figure out those things you're just going to give a really
58:53
wonderful hollywood movie script and nothing about it is going to be true
58:58
and the interviewer is going to know that because the interviewer has the target anyway
59:04
make sure you just do your meditation that is really the biggest part there's anything you can take away from this
59:10
whole lesson it's to find that there is a very big value in meditation finding deep deep tranquil states of
59:18
consciousness you can do amazing stuff amazing stuff when you have a calm and tranquil mind
59:25
really amazing stuff remote viewing outside of using the srv from the srv method
59:31
you can you you are god you can do so much all right so p2
59:39
this is the next one that you start off at right there in the center and that one is right here so you want to start right
59:44
here start okay so this is p2 and m2 are the exact same
59:49
so this boom they're the same so you just want to
59:56
so with m2 you went up and down you didn't go left right forward or back with p2 you're going forward back left
1:00:02
and right so you want to make sure that you do if you go forward the next one you do is back if you go left the next one you do is
1:00:08
right just you do the opposites okay so i usually go to p3 next so if i'm here
1:00:13
and i'm saying okay structure and a mountain don't just copy down the
1:00:19
m2 you probe it again re reacquaint your awareness with the target just be like okay i'm seeing the structure i'm seeing the mountain
1:00:25
good and then you go to p3 if you move 5000 feet because remember that's the
1:00:31
lucky number we go 5 000 feet into one direction boom all right so i'm going off into
1:00:36
that into that right direction so i just move into the right 5 000 feet and then after i get there
1:00:42
i'm looking around if it just feels like i'm only seeing it's like the mountain behind me and there's nothing else then i'm just gonna write down mountain
1:00:51
and then i'm gonna go 5000 feet to the other side so then
1:00:58
and now that i'm over here on this side i'm like okay feels like i'm a little bit close to the
1:01:05
water so i'm going to say land water
1:01:10
interface then if i go to the p4 or something like that then i'm going
1:01:16
to say 5 000 feet and if i move forward 5000 feet maybe all around me is water now so i'm just
1:01:22
going to write water and then 5 000 feet behind me from the
1:01:28
p2 so i'm probing the p2 i'm reacclimating myself to where p2 is and then i go backwards and then it's
1:01:34
just nothing but barren topography i don't see anything there all right then it's just
1:01:39
barren flat land that's basically it so i don't
1:01:46
really remember what page number we're at so let's just uh
1:01:52
6 7 8 9 10 11 12. okay good make sure you keep writing
1:01:59
your page numbers all right so the next thing flash sketch from m4 what's m4
1:02:04
look over here m4 is 5000 feet up into the sky you're a full mile up into the air m4
1:02:10
then you do the flash sketch put everything down 45 degree angle the flash comes in
1:02:16
and then boom you're seeing everything from a top down angle you really just did uh so you see m4
1:02:21
right here i drew a picture you can use words or a picture at this stage but when you do the flash
1:02:28
sketch it's a picture so if i'm seeing the flash sketch and i'm just going to draw some random
1:02:35
stuff because this is just a description
1:02:40
i'm seeing the water over here i'm seeing the horizon over here seeing a bit more land over here more
1:02:47
regular topography the picture's a little more hd in my own mind because i'm looking at it from a certain way all
1:02:54
right great and that's pretty much it that is pretty much it so
1:03:00
it's not that difficult from a methodology standpoint that is a full remote viewing session
1:03:06
when you get to this page this is page 13
1:03:12
that is a full remote viewing session of a general base target that's enough for you to practice now
1:03:17
i'm going to do three more pages with you guys just because i always do these three more pages
1:03:23
so i always make a new page i'm going to scratch out this flash sketch thing and then i'm going to say move
1:03:30
to the center of the target
1:03:39
and describe and then i put a dot and i'm going to
1:03:44
probe in and i'm just going to get a bunch of words and i'm going to put down a picture so i'm moving to the center of the
1:03:50
target and describe if i'm feeling like okay i'm seeing the structure and i'm going to write down structure
1:03:57
i'll draw the structure maybe i'll add more details to it because it's been a while in the session and it's looking a
1:04:03
bit more detailed because i'm looking at the same structure so many times and then uh i'm seeing subjects so i'm
1:04:09
seeing a subject i'm gonna write down subject and i'm seeing this mountain
1:04:15
so i'm seeing a big big mountain over here and then a big mountain over there and
1:04:21
i'll write this flat land over here and then i'm gonna say mountain
1:04:29
and another mountain [Music] boom that then
1:04:37
keep those page numbers then let's get another page scratch this out
1:04:44
do page 15 then let's write down move to the
1:04:52
target activity and describe
1:05:00
and then if i'm moving to the target activity okay i put a dot and then i'm seeing okay i'm seeing a
1:05:05
bunch of subjects and they're running and then i'm seeing a bunch of subjects
1:05:12
running
1:05:19
i'm going to label it subjects running i'll say multiple
1:05:27
multiple subjects running so if i'm seeing multiple subjects running
1:05:33
in this direction that's the activity that i'm seeing okay great and i just draw a little bit of
1:05:39
the environment around them based on how i'm seeing it as i'm probing and there's maybe another thing over
1:05:46
here then i'm going to get one more page and this is the last page that we do for literally all the news sessions that
1:05:53
you see everyone doing this is the last page is um
1:05:58
move to the target event
1:06:05
and describe
1:06:12
all right so moving to the target event and describe so you probe the dot and it's like okay well now i'm seeing
1:06:19
all right i'm seeing a couple structures i'm seeing this mountain type of thing
1:06:24
and seeing some more mountains over here i'm seeing a lot of subjects over here and they're running
1:06:30
so i'm going to label it subjects
1:06:36
running and then i'm seeing this non-surface structure and i'm seeing these purple rays
1:06:44
zapping down here purple energetics
1:06:56
projecting from nss that's the nss
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to subjects
1:07:09
those are the multiple subjects let's say multiple and label things so structure
1:07:18
structures mountain
1:07:23
mountain boom all right and that is page 16
1:07:29
officially that is the end of the remote viewing session right there that is a full remote
1:07:35
viewing session when i comes time for me to do the news session uh news like news one or news two uh that's
1:07:43
the code name for it is just news one or news two if it comes to our mystery session all
1:07:49
of that stuff this is basically what i do the first initial session that i do solo without a
1:07:56
monitor without an interviewer and with the news sessions i never have a monitor i never have an interviewer
1:08:01
for it nobody does you just do one session and whatever you get is whatever you get that's it if you want to learn remote
1:08:08
viewing and you just getting started and you just want to learn how do i get a full remote viewing session done
1:08:13
just like the people at farsight that's it you just saw it that's the methodology meditate practice
1:08:21
be patient with yourself learn how to calm the mind if you need to going to these things
1:08:28
like reiki sessions or qhht therapy and stuff like that those are incredibly valuable things if you
1:08:34
just want to be able to immerse yourself more in whatever energy work or light work or whatever stuff
1:08:39
that is your cup of tea work that you do to calm the mind the main thing is
1:08:47
you have to calm the mind if the mind is this
1:08:54
like you're constantly on this caffeinated high from sunrise to sunset you really got to just make it so that
1:09:00
you can calm yourself down even just momentarily with a little bit of meditation you can get a good hour of
1:09:07
calm mind if you can meditate for 20-30 minutes then your mind will be in a much calmer state for
1:09:13
the next hour so if you can do that then for that hour you do a remote viewing session
1:09:20
rehabilitate yourself so that you are able to do the natural abilities that you've always had before you were
1:09:27
thrust into the earth prison this planet is designed
1:09:32
to make it so that you are always busy running around doing things so that you
1:09:38
never have a chance to settle down and listen to yourself you are your own
1:09:43
best teacher so here's the methodology you have it there is nothing i have held
1:09:50
back in terms of basic remote viewing skills this is a valuable
1:09:55
lesson for you and for anyone else who can take the time to use self-discipline to improve their
1:10:02
life by learning the remote viewing methods illustrated here and designed by my dad courtney brown
1:10:10
at farsight he designed the srv method would you like to see another remote viewing session all right so let's look
1:10:16
at the news one that i did last month so this already came out but this is the news one that i did i
1:10:23
guess not last month of the month before that anyway it was uh this is the c ram
1:10:28
rocket i guess being lifted off from the uh from something from some uss us naval carrier if i if
1:10:36
my memory is serving but uh anyway so this was on the 22nd of march that i did this uh session this event happened in april so
1:10:44
let's look here so got my target coordinates 17 16 1694 and i've got my physical state was
1:10:51
okay emotionally i'm okay no advanced perceptuals and uh just i have my date time all that stuff
1:10:58
uh solo session so that's data type three monitoring level solo so subject idiogram
1:11:05
got a subject over there another subject and another subject i got land i got a subject and i got
1:11:11
land again boom so as you can see here i've got this dry tan rough surface
1:11:16
semi-regular topography dry natural smells if i don't see something there like if i'm saying that like there's not
1:11:22
xyz pdq there i don't say none of this there i just don't write it so of what i saw
1:11:29
this is what i saw and then i'm seeing this big mountains in the distance and a solo subject for
1:11:34
the flash sketch and then as i'm keeping on going seeing this natural vertical surface solo subject i'm seeing
1:11:42
distant flat lands with blocky white hues and stuff then i'm starting to see way off in the
1:11:48
distance i'm noticing oh there's water here at the target there's water see it didn't get me until page eight
1:11:54
that i even noticed that there was an expansive body of water that was worth drawing so you're getting little by little
1:12:01
little bit by bit that the scene will open up to you got it so be patient with yourself and don't
1:12:08
feel like you have to get the whole thing right away this doesn't look anything like it's about to be a rocket going off on a u.s
1:12:14
naval carrier that's not what this looks like it's going to be but you know what it starts to look on page 8 like you're
1:12:21
getting somewhere like you're getting towards something that could be something like that all right so natural salty smells
1:12:29
multiple structures multiple subjects natural harsh environment this is why you want to do it three times because
1:12:34
you want to give yourself three passes at the data to get as much as you possibly can
1:12:39
so as you're going you're seeing loud noi i'm getting loud noise a siren i deducted siren because that's a high
1:12:45
level term so i did capital d hyphen siren and then it's mushy wet watery expanse
1:12:51
expansive uh expansiveness land water interface and then i'm saying when i probed for
1:12:58
movement and activity all i could feel was slow listful structure on the water movement so it's this like
1:13:04
this listful movement of the structure i just said it yeah so the environmental weather temperature
1:13:11
conditions cool as you see i numbered one through seven and i went through all of them that's what i got pause pause the video
1:13:18
at any time if i'm going through any of this stuff too fast so anyway then i do the moving up and
1:13:24
down type of thing i started at m2 uh subject on a structure on water near land
1:13:30
land then i moved up a little bit the land water is expansive flat and then irregular interfaces
1:13:35
uh the water is expansive and flat the land is irregular has a land water interface the 5000 feet
1:13:42
above i see multiple land masses with structures on water in between them and then i'm seeing when
1:13:48
i'm moving forward backwards left and right then i'm seeing at the p2 subjects on the structure in water
1:13:54
or land on a structure that's in water near the land i'm seeing sandy land at p3 at p1
1:14:02
i'm seeing sandy land again at p4 i'm getting land at p5 i'm getting a regular topography
1:14:08
but then here i'm seeing structured structures scattered between irregular topography
1:14:14
i'm seeing a lot more of this uh water that's showing up as i'm doing an extra sketch because i got actually three
1:14:20
thing two two visuals come at me when i did the flash sketch when in doubt do not omit the data just
1:14:26
put it down so you got flash my first flash sketch was like this second flash sketch had this wide
1:14:32
expanse of water that was sort of being thrown into my head as well this sket and i wrote down
1:14:38
this sketch popped into my head while doing page eight and made the water seem like a less
1:14:43
expensive lake expansive lake then as i move to the center of the target and describe because i don't know
1:14:48
what i'm supposed to look at i'm just looking at this environment i'm seeing areas with land i'm seeing areas that are regular
1:14:55
land some flatter land i'm seeing some structures i'm seeing some structures on water i don't know what to look for so then i
1:15:00
move to the center of the target and describe that cones my intention inward
1:15:06
to the center of the target what am i supposed to be looking at right now now that i've got this environment that
1:15:11
i've illustrated well then i'm looking at boom right there i'm
1:15:17
seeing a boat-like structure on water i draw it and then it has these
1:15:22
angular shapes man-made structure a subject and an object that shoots upwards
1:15:27
from far away going again then i move to the target activity and describe
1:15:32
it returns back to me the same scene from a different angle i'm seeing water
1:15:38
i'm seeing that boat-like structure an object shooting upwards a metallic object i touch the object i'm probing
1:15:44
the object i'm touching it it feels metallic that's why i wrote metallic then you see i'm seeing a mountain i'm
1:15:51
seeing a subject on the mountain and then i'm moving move to the target event and describe
1:15:56
i tr i probe the dot and then boom right there i'm seeing an object shooting up off a man-made
1:16:03
flat base surface that is exactly what was happening in the news session
1:16:08
we already did this news session it was the cram rocket the naval cram rocket
1:16:13
this was a remote viewing session that found this news event a month before it even happened that's
1:16:19
remote viewing that's what is at stake here for you to learn how to do these types of things that's why i want you to learn how to
1:16:25
use these do these types of things because if you don't learn how to do these types of things then you're moving through life like
1:16:32
helen keller you can't even see where you're going what if you have a big decision to make in your life wouldn't it be
1:16:37
convenient to be able to probe into your future selves if you do decision a and if you do decision b and then try to find out for
1:16:44
yourself which one of those things leads you to a happier life wouldn't you want to have that ability for yourself
1:16:50
well you always had that ability for yourself but that's why you're here on earth is because that's what the nature of
1:16:55
this prison is the nature of the prison is to cut yourself off from the source energy
1:17:00
the universal psychic internet that permeates through all things because when you have access to it then
1:17:06
you have access to directing intention towards your actual timelines that you want to have if you
1:17:14
see a timeline that you want to have you can interrogate your future self in that timeline
1:17:19
to figure out how do i get from point a to point b this is a natural ability that all of us
1:17:25
have and it was ripped away from us when we were born on this planet and all of us here on this planet now
1:17:31
must reclaim this thing freedom is not something that is given to you it is something that you fight for so
1:17:37
you apply yourself use self-discipline to improve the quality of your life and do it today with remote viewing on
1:17:44
your own make it a possibility make it a reality there are other people who are doing
1:17:49
this with you so you're never actually alone and you know what you're gonna figure out is when you get your psychic feet wet
1:17:56
when you're getting out there and you're doing these types of probes you're going to realize that there are other beings many of them not even on
1:18:02
this planet who are able to see you when you go over there as a remote viewer if your awareness is
1:18:08
extending out out of the planet out of this world sometimes on this world you might and you definitely will if you
1:18:15
keep up with this you're definitely gonna find out there are so many psychic beings out there so many of them
1:18:22
and that's why i use the word helen keller to describe so many of the people that are out here who don't believe in any of this thing
1:18:28
who think that they have to the only reason that they want to try to apply themselves is if somebody with a
1:18:34
bigger title than them tells them that it's worth it what bigger definition of a slave is
1:18:40
there than somebody who doesn't believe in themself thank you for sticking with me for this
1:18:46
whole presentation i really hope that you guys take some take remote viewing seriously and use it
1:18:51
as something that you can apply to your own life and
1:18:58
let me also say that you can uh let me do that let me show you this one last thing so if you want to find targets for
1:19:04
yourself let's go to srv uh let's go to farsight
1:19:10
farsight dot org boom so scroll down scroll down scroll down look at all
1:19:17
these projects that we did you should be doing these projects for yourself figure out
1:19:22
your own you should see these things for yourself don't be content with us just telling you about these things it's not cool unless you see them i'm
1:19:29
nowhere near good enough an artist to describe the amazingness of watching these things firsthand
1:19:35
and if you think like oh it's so foggy during the remote as you get better it gets more hd as you get better and as you calm your
1:19:41
mind more the calmer you are the more tranquil you are the more hd it is because you're able to really lock
1:19:48
into that vibration of what's going on in these places anyway let's go down to instruction
1:19:54
see instruction let's go to srv free and then boom you got all these instructional
1:19:59
materials and stuff for you to help you so target pools a b and c are the exact
1:20:06
same they're just jumbled up the numbers are jumbled up so let's pick a random number
1:20:11
13 13 a click on a t13 boom all right so this will be your
1:20:19
target the wells fargo san francisco perspective blah blah blah whatever so that's how
1:20:25
you would pick a target for yourself you're exploiting non-linear awareness so it doesn't matter whether you pick
1:20:30
the target before or after you do the session you can pick the target before like maybe you just tell yourself
1:20:37
okay target 56 c so then you go back over here you do the
1:20:43
full session you'll you write it down on a piece of paper target 56 c and then you go to the you go to your
1:20:50
full remote viewing session then go to target pool c and then you go down to 56
1:20:56
click 56 and then boom you got the saint louis arch in missouri blah blah thing so that's basically how you want
1:21:03
to do it you want to make sure you do a full remote viewing session on these types of targets okay
1:21:09
so these are a lot of you know what you got here 238 practice targets
1:21:17
give yourself a chance to practice at least a couple of them and if you're getting them right good on
1:21:23
you if you're getting them wrong stick with it be patient this is a natural ability that you have and you can rehabilitate
1:21:30
yourself to be able to do it fluently and if you keep with it even more
1:21:35
you won't even need the srv template and you'll be able to get accurate data all on your own just with your own psychic
1:21:42
abilities you're going to be doing great things out there guys just
1:21:48
stick with it push through and most importantly more than anything
1:21:53
else believe in yourself [Music]
1:22:22
so [Music]
1:22:46
you