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Farsight Human News Forecast: December 2022
Table of Contents (Time in minutes:seconds during video):
⦁ Introduction - 0:00
⦁ Kahmia Dunson Session - 10:25
⦁ Intysam - 19:02
⦁ Yeme Jeaneé - 26:35
⦁ Aziz Brown Session - 34:31
⦁ Shantae - 44:13
⦁ Summary Comments - 1:03:18
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INTRODUCTION
By Aziz Brown

Hi Everyone! Welcome to the December 2022 edition of Farsight’s Human News, the Remote Viewing News Forecast show that tells you what is going to happen, not what did happen.
I am Aziz Brown from Farsight.

RECAP FOR 2022 NOVEMBER HUMAN NEWS FORECAST
Before I go on, let's recap what happened with our last Human News forecast.

Four of our sessions by Intysam, Kahmia Dunson, Shantae, and Yeme Jeaneé dealt with what appears to have been a wartime situation with explosions in urban areas that seemed to be targeting civilian populations and infrastructure. Indeed, that was the big change in the Ukraine war that happened quite surprisingly in November.

The war has been going quite badly from a military perspective for Russia, so there was a change in tactics in an attempt to subdue the Ukrainian will to fight. Russia started to use missiles to attack the Ukrainian energy infrastructure, which happens to be in population centers. It has been a major war news month and energy is needed for heating. As has happened historically and repeatedly in that area of the world. Going back to the times of Napoleon and Hitler, winter is being used as a weapon. Russia has defeated many enemies by letting them freeze to death. Ukraine is really cold in the winter time, and all of this energy infrastructure destruction was done using flying weaponry, mostly missiles launched by aircraft, which is exactly what our viewers described.

In my own session, I reported on three subjects meeting in a large structure to sign important papers. The people were more than a little nervous. We are not sure what this refers to during the month, but it may involve the Russian decision to try to destroy the energy infrastructure in Ukraine, or it may involve some other thing related to some other place and some other event. The only thing that we feel comfortable saying is that such an important meeting probably happened, and something important was probably signed. I hope that one day we will find out what that was all about.

That is the thing about remote viewing the future. Sometimes important things happen, and we don't always get immediate feedback on everything.
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UPCOMING FARSIGHT MYSTERIES PROJECT DUE DEC 15, 2022
By Aziz Brown

Now let me announce our next major Mysteries project: Galactic Defense.

That's right. This is a special project that we hope assists the U.S. military, and perhaps some other human militaries who may be thinking about working to force the disclosure of the extraterrestrial presence here on Earth.

You see, if disclosure happens, there will be a fight. It is not going to be just a bunch of news stories. Disclosure will trigger a Reptilian and Orion attempt to keep control of the planet if they can no longer do it with mental manipulation, bribery, fear, intimidation, propaganda, and secrecy. And if their past activities are finally disclosed to the public, then they will have no alternative than to come out of the shadows and threaten to fight. That's when the free will ETs will intervene to stop them. And that will be a military effort of no small measure. Well, if this were to happen, the human militaries would naturally want to know what has happened in similar situations in other parts of the galaxy when such things happened when the totalitarian forces acted in a military way to control a planet's population. To be honest, that seems to be a strategy of last resort for the totalitarian forces. But when push comes to shove, that is their only alternative.

So what happens? Well, our next project focuses on the most important battle between the most successful group in the Milky Way Galaxy to defend themselves from a Reptilian military attack intended to conquer or control them. And on the 15th of December 2022, you will see that there were a number of successful events to repel the Reptilian forces, and all of them were equally important and successful. And you are going to see how those battles turned out and exactly what was done to win them. Again, on December 15th, in just about two weeks. It really is a must-see project, one that will tell you a lot about how other societies have successfully repelled attempts to control them by totalitarian forces. It's a big deal. We hope that the U.S. military is watching, of course, but everyone else needs to see this as well. The hope to obtain freedom is not something that you just dream about. It is accomplished by doing real and concrete steps, and we learn by watching how others do these things. Then by watching how others do these things, we get realistic levels of hope that we can do it too. December 15th, only on FarsightPrime.com.
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KAHMIA DUNSON SESSION

Starting off, I have manmade and natural land here.
I've got a land and water interface, so it's like water in the background and then land in the foreground. There seems to be some sort of like structure out here, maybe some other small ones, but for the most part, like one large structure out on this water.
Okay, there are subjects on the structure and there are subjects on the base surface as well, like the land subject I hear tilling. Okay.
Now I also see this like large looking line in the sky that comes downwards to the body of water. So something like that. And then this. And then I see a big kind of hue around the structure.

There are subjects here, they're mostly male subjects.
It's not everyone, a male subject on this surface structure here. Again, out here, it just feels kind of like there's manmade land. There might be some small structures, like some subjects here, but nothing like too big or anything like that.

So I've got a non-surface structure as well. Okay, so a non-surface structure, some sort of line in the sky and then a big hue around a surface structure.
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For my second visual I have again it's kind of water thinking background and then now I see pieces of a structure, you know, so none of these feel like complete structures. They all feel like if this structure came apart or something in there, kind of just scattered out in the water.

I still see this line in the sky and then I do see again another non surface structure kind of just in the distance though like - and it doesn't have like a definite shape from where I'm at. It just kind of looks like something in the sky.
So, there's a non-surface structure here.
There are no subjects inside of this non-surface structure as well.
So, it definitely feels like a vessel of some sort, you know, something that just carries cargo or carries something, but it doesn't carry people.

There are subjects in this water, many subjects in the water.
And it also feels like some of these subjects are unconscious. Some of them do not make it after this.
I do see something that looks like I don't know what to say, like explosion, aftermath, but like, you can just see, like the water kind of splashing up like this, coming out like that.
There's energetics here all-around energetics, energetics and energetics surrounding these subjects and these kind of structure pieces in the water.
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For my last visual, I see a large body of water and then some land in the distance. I do have these pieces of a structure that seem to be floating around.
Okay, then I have a couple of subjects here also sitting in this water and I can see these lines not just the line that goes here. Right. Okay, we see we see that one. But then there's also lines in the sky where you can see that a non-surface structure has been like going back and forth in the sky.
So, the line here and a line there, a line like that. So, it's obviously this non-surface structure is flying around this area until something hits this surface structure right here. And this is like the only time I really see the surface structure as a whole on the surface.
So, it's like I'm deducting a boat or something like that, like a ship along those lines, something that obviously floats on water was hit with something fell apart. And in many pieces the subject's in the water, the pieces of the structure in the water.
And there's a lot of energetics.

So, on energetics around here and then this non superstructure that is in the distance.

So, when I move to the target event, when I'm at the target event, I see this surface structure on water.
I see maybe like a decent city on land like way back there, but for the most part, like we're really deep out in this water.
I see the line from the sky. There's a big roar, a lot of rumbles and then energetic start to fill the area, the subjects, some of them, well, really, everyone feels frightened, they feel scared, they feel worried.
And then the ones that don't feel that way, like they don't they don't feel conscious.
And just overall, a lot of like freaking out as just the main thing here is a lot of emotions. They're all over the place, this non surface structure again, it doesn't contain any subjects in it. It definitely feels like it kind of came over to where this was, did what it needed to do and then left.

There are subjects that are of course, still alive and still conscious here.
The subject in the water, you know, not everybody dies or becomes unconscious like a lot of them are still alive, which is great. But yeah, so that's kind of what's happening here at the target event and non-surface structure implode or explode in a surface structure on water. There are subjects in it. People die, people don't die.

So, moving to the target event, I sense that there's like this feeling of like intense anger. It definitely feels emotionally driven. It doesn't feel like something that was really like thought out all the way as far as the consequences to these actions, it definitely feels like somebody was angry, somebody felt some type of way and they said they they're going to get even.

So not saying that one particular person made this happen, this is a collaborative event.
But there is one main person who seems to be like really irate and they're the ones who kind of set this plan into motion.
The subject that I'm referring to is a male subject, and they seem to be like average size, I guess not too big, but not thin either. And I they have paler skin. They have very, very, very short brown hair. And it looks like they may have like blue eyes or something like that. But that's like the main subject here that is opposed to the subjects that are on this surface structure.

One thing I did want to add, though, is like so here I drew one non surface structure, I drew one non superstructure in like the one line because there is one non surface structure that actually hits the other structure. But I will say that like there's multiple lines in the sky and I do technically see multiple non surface structures there just like back here, you know what I mean? And they didn't do this.
They may have been flying around, they may have been trying to hit different things, but they didn't hit this. Only one stroke. I mean, only one non surface structure has caused this event to happen and yeah, that's all I have for this target.
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End of Session
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INTYSAM’s SESSION

Okay. For this target I have a base surface with level topography. I this area looks like land water interface. My first visual will be from a bird's eye view.
So, I have the water that's very extensive. When I tasted it, it does taste like it's salty water –
And then there's a urban environment here. It feels like a city, but a smaller city - doesn't feel like it's a huge city.

There is a group of subjects here. It feels like a crowd. So now I'm going to move closer, see what I have. All right.
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.
So, for my next visual, I'm in this urban environment, I can see structures all around the structures are manmade, however, they feel like brick or stone.
And then there's a crowd that's formed. So, there are quite a few people subjects here.
It's a very loud environment I'm getting. There's like a banging type noise, there's sirens, voices, and I'm like a little wailing voices type of thing.
So, some of these subjects appear to be injured. They're laying down. I'm getting like quite a quite a few of them laying down. And then there's like subjects kneeling over them. Looks like they're trying to tend to the subject. And there is like a red, like a pool of blood full of, like red liquid that's collecting at the bottom.

There's also, like, energetics here, but it's more like one directional energetics. So, I would like to deduct like maybe a gun or something similar, but it's the energetics is definitely there, but it is one directional. So, it feels like a fast kinetic type movement, like something like that came then. Yeah, that liquid that's collecting.

So, there are some subjects that are kind of like holding things up.
The temperature here is quite cooler.
I'm also getting like cars, like vehicles. There's like definitely like vehicles present. So at first glance, you I thought it was like, you know, like a typical urban environment, but except for the kind of like the activity that's happening here, the kind of like chaos and commotion with these subjects that are either unconscious or maybe dead, like this one by the look of it, this honestly, a lot of blood on the ground here.

All right. So now moving to the target activity. The target activity is going to be pretty repetitive, but it's definitely coming from within this within this urban environment with a lot of chaotic movement. The chaotic movement is coming from around the subject.
And then I'm noticing with the energetics, it's actually coming from multiple points within this crowd.

So something must have happened here. I would deduct something like a shooting or something like that. Loud banging, sounds, voices shouting.

Okay, now moving to the target events, I feel like this crowd forms after the energetic event happens. So the the crowd kind of comes in after that.
There's a loud sound followed by fire, heat, energetics combined with like one directional energetics.
These subjects, some of these objects I can sense like a very faint like force. Others have no life force probing the source of energetics.
It seems to be within this urban environment, somewhere within the subjects that were in this area. Okay. So now I will do a deep mind probe.

Okay, so I'm doing a deep mind probe.
This deep mind probe is from is tied to the source of the energetics. Whatever a subject that had something to do with it. That was my intention when I was doing this deep mind probe and I'm getting that anger like a blinding anger or a deep rage.
I'm getting that this was kind of like an automatic reaction, like the word you decided there was no thought behind it. It was kind of like, I've decided, so I'm going to move along. I'm going to do this.
I'm also getting a sense of following instructions without question, whoever did this, I'm getting a sense of like there were those. I'm getting a sense of instructions behind it, although I'm kind of going pretty high level here because I'm trying to find the source.

So, okay. So there's also an overwhelming sadness and numbness.
I'm getting that whoever and I'm deep mind probing right now. They're also feel quite numb within themselves overall. Very tragic. Very, very tragic event here.

The last thing I'm noticing about this environment is there is foliage, although scattered.
When I'm looking, I'm seeing it's mostly brown hues.
There are like flashes of colors like reds, blues, greens, other other places, but predominantly brown.
When I look at the subjects I'm seeing mostly light. Light skin tones.
Their clothing feels very stiff, heavy clothing.

That's all I have for this target.

End of Session
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YEME JEANEÉ’s SESSION
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I have a lot of open land with structures here.
The land is both natural and manmade.
We've got a lot of subjects, both male and female.
I see some water. I believe I'm near water somewhere.
Structures that are made of both manmade and natural material.
Have subjects inside the structure and a multitude of subjects outside the structure - very focused, focused gathering, urban environment.

I've got like a street full of subjects here.
It's like just all laid out, like (sound description) -
and then I have this, this structure that has a, like, tiered looking - reminds me of Capitol building, White House type of feeling and texture. Those are deductions.
And what it looks like stairs or a walkway to lead towards the door.
And I have structures distant behind and foliage near around, open land.
Lots of space here, roadways or manmade land, tar looking, tarred, cement looking here. Subjects play or structures placed near just, you know, spread out. You kind of see the the urban environment, a slightly secluded space, open environment here.
This feels very political. I am getting the deductions of election - deduction of White House deductions, of political, political and capital building here within this space.

There's a lot of high energy here, loud noises, sounds of shouting, rhythmic chanting, movement, aggressive energy and awaiting energy, very focused, gathering, many subjects just full here, very central location.

And there's also a central subject here that is not adjacent, but across or parallel to the bulk, the multitude of subjects - seems very important.

There's a lot of excitement and exclamation
Again, high energy. I also feel anger.
Hmm. It's just a lot of crowding within the streets.
I also see moving, moving surface structures nearby, people placed so in certain tent spaces - looking like it looks like there is a situation here - And then here we have a the lot looking there, and there seem to be two central structure or subjects here in the front view is what I'm looking at.
And then there are other beings or subjects placed around surrounding - feels authoritative or protection oriented

A lot of cloud dynamics, action, a lot of movement.
We want something.
There also seems to be the storming effect. I'm not sure where this is not like roaring boom storming, but like the storming of subjects, a walking, a mass moving forward and one or dual multiple directions.

I can feel a lot of subjects outside almost waiting - again, both patient and impatiently inside and outside the structure.
The subjects that everyone is looking at here, I'm guessing I'm focused on is speaking
- and again, they're all agitated or excited in hyper or you name it. There's a fluctuation of energy and emotions going on here.
The subjects are standing shoulder to shoulder because it is full –
It’s cool in temperature. They are moving.
What I am seeing now is they are moving in in a formation and the formation of a mob.
I'm going to deduct mob because I don't want to say that. But the formation of just a mob of people, some again, content, others angry, all chanting, rhythmic, rhythmic speaking.
And again, there are two authoritative figures, figures here as well.

I'm seeing colors of green on the surface - textured hard tar, gravel, cement like grass, green, white, gray, black colors, mild foliage.
The subjects are casual, warm clothing, casually dressed, warm, warm clothing. Yeah.

So, I've got this central structure, slew of subjects both in and out foliage as we branch out within the miles of whatnot. Town, city, cities. Urban Environment – Station - you know other structures here. And land - Manmade and natural and then bam, all these subjects and things happening here within the city.
Well, it looks like a great city. A great city.

End of Session
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AZIZ BROWN’s SESSION

So, to start off this target, I'm noticing just a subject. And the subject is just standing in a room. That's the first perceptual that I'm getting - subject indoors - and in a rectangular room.
So that seems to be where the data begins.

Okay. So, zooming out a bit further, I'm beginning to see that there are two subjects.
One subject seems to be in darker, formal attire, and the other subject seems to also be in formal attire, albeit a little bit of a different hue. Maybe it's a little more brownish or a little bit more grayish, but it's formal attire, nonetheless.
Two subjects standing facing each other in formal attire.
So just drawing out this subject over here - sort of formal dress.
The subject over here seems like they at the moment have their hands in their pockets or behind them or something like that. And they are standing facing each other.
So, the other subject, I'll be consistent with the coloring.
The other subject is standing over here this way and the subject is his back is this way. So he's facing this other subject. All right.
And this subject does not seem like this subject has his hands hidden in any way, pockets or anywhere else. It just seems like the subject standing there like this, while this subject seems like his hands are in his pockets or behind him or something like that, but nonetheless, these two subjects, formal attire, they are looking at each other and that is the beginning of the session.
Two subjects, both seem male, staring at each other in a room.
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All right, so zooming out a little bit - let's just draw out the environment that I'm seeing.
It seems like there is a bit of water over here, a land water interface.
And over on this area, there seems to be some structures. So, a bit of a more urban feel.
And inside one of the taller structures over here, that is where we will find a room.
And inside that room we will find are two subjects standing and facing each other inside a room which seems to be in an urban area, which seems to be at a land water interface.
So, there's some water here at the target and yeah, that seems to be the gist of what the target environment is.

All right. So, from what I'm seeing from the more grayish hued subject that seems to be facing the other subject, who has his hands a bit hidden or in his pockets or something - I'm seeing the subject with the dark hued, formal attire, the one who had his hands hidden. He seems like he's pulling out an object of some sort. So just to draw the rough visual of what I'm seeing, uh, the dark, the dark formal attired subjects, dark hues, attired subject seems like his attire is maybe slightly more formal, but that just might be my impression due to the fact that it's a darker hued clothing, but it seems like the subject holds out his hand and there is an object there.
So, at this point, the subject does begin to step forward towards the other subject and with his hands grasping this semi long sort of pointed object.
All right, that seems like that is what the subject is doing standing there and first hands are hidden and then has a sharp, pointed object in one hand. And so this hand is a regular sized hand. Sorry for drawing it so sloppily, but either way, that's the gist of what's happening next at this sort of target perception area -
I'm seeing one of the subjects with the darker hued attire seems like he is approaching the other subject with more grace use attire that looks slightly less formal but still in the formal category.
And he goes over and he pulls out a sharp object. So let's find out what happens next.
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All right. So, I am seeing the more formal attired subject. He is stepping forward and there's going to be some movement. So, I'm going to start drawing him as a stick figure.
So, he steps forward - He's got the object. Let's draw that over here. This sharp, pointed object and as he's approaching the other subject, the other subject seems like he's got a bit more gray shoed, semi-formal attire - and he is not really moving out of the way or anything - He sort of just extended his hands out like this sort of just being like this.
And so, this guy, he was over here, he's stepping towards this subject over here. This subject moves his hands out like this and - doing a quick, quick, deep mind probe.

All right. So just general perceptions. This guy's got a lot of tense energy. Feels like all of his muscles are sort of stiffening up and he's sort of moving forward. And he's just got this, like, really sort of tense aura about him.
He's got this sort of his mind is very tense. His muscles are tensing up.
This guy, I feel a lot of nervous energy and a lot of sort of cold worrying energy.
And he sort of just like this and sort of speaking sort of frantically and talking.
This guy does not seem like he's listening to any of that. He's just sort of tensing up and moving forward towards this other subject. So, let's find out what happens next.

All right. So just to illustrate it out with some more stick figures, so we've got this sort of thrusting motion and the object right here has been thrust into the sort of this area, like the chest sort of area on the left-hand side. But sort of right here.
But then the subject over here, well, I guess I should draw his head a little bit closer, but this subject as well is going to draw his head right here. This subject has been stabbed with this or stuck with this object right here, right in the chest area. And we can sort of scratch that one out. Yeah.
So he gets stuck right here and he sort of like bends forward for a second, but he doesn't, like, do much. His hands are just sort of like frozen like this and he's just sort of like, Oh, and I see him in his eyes, just sort of like he looks down and he sees this, like, puncturing of this object, like in him right here.

And then the next moment later, the scene looks a bit more like this, where you've got the subject with the object, uh, walking away right here, moving that way.
And the subject that got stuck right here in the chest, the left side of the chest - This subject seems like he is in a foetal position on the ground, just sort of lying on his side on the ground like this, sort of quite like in a foetal position, quite, quite a curled up in a ball.
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And that does seem to be the whole event at the target.
The target involves two males in formal and other formal, just slightly different colored attire.
And one of them pulls out a sharp object, goes right up to the other one, sticks them right in the chest - The Chest or sort of upper abdomen region.
And then he falls over, curls up into a ball and the attacker just sort of walks away.
That does conclude all of my data for the target.

End of Session
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SHANTAE’s SESSION

So, for my first visual, I have a base surface with irregular topography.
There's multiple steep peaks and mountains and I have cloud dynamics somewhat below some of these like steep peaks in areas of very high elevation.
There's very cold temperatures here.
And I also have, I'd say, extensive foliage - like a very natural environment here.
This kind of foliage scattered throughout the area.

So, looking like closer into like each mountain, there's mostly natural land, very hard rock, rough textures. But I'm also seeing there's like some manmade land kind of wrapping around, kind of weaving throughout these mountains and a lot of foliage.
So, yeah, this is like areas of manmade land, but mostly natural and mostly natural environment.

So, on the base surface, I'm picking up those like multiple vehicles.
Um, it's the same color.
So I’m seeing vehicles moving on the base surface and this same thing movement in one direction and really more of like an upward movement. So like I see these vehicles basically moving up, kind of going around like ascending to the peaks of this mountain, these areas - and these are like really surrounded by foliage with very dense foliage close to the manmade land.
And it really like drops off like very steep areas close to the base surface. So, um, or the bay surface has very steep like drop offs here.
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Um, so, and some of these like reading like visuals of some structures, but as we have like the road kind of like winding up, there's just like a few like small areas, a little kind of cleared out area with a few structures and it seems like as both of the vehicles that I see here continue to move, like some of them, there will be like a few that kind of stop off on these side areas. But for the most part, there's continuous movement up.

And as like as I get to these higher areas, I'm seeing somewhat flatter area with larger structures - like the structures below are small, very simple, but I'm seeing more complex structures higher up and there's still is more. I can see a few more paths leading even higher beyond this little. I'll call it like a town, like a small urban area, like beyond this area. There is more structures - like more like higher mountain areas. But this town seems to be like the focus of subjects. Most of them seem to be inside this structure. Um, and these like very cold temperatures at this level.

Okay. So, to get like a, to get like a bigger picture of this area, like is the continuous mountains and is like these winding roads like switchbacks leading up to this town -
there's not a lot of subjects here, like the subjects, in the vehicles, like there's a few vehicles and they're for the most part kind of spaced out.
I'm seeing these like the shapes are larger, like some sort of truck, like something that can carry like a lot of objects. There are a few like smaller vehicles, but for the most part I'm seeing like trucks, larger vehicles moving up towards this town.
Um, but I'm see like what's really noticeable. So it's already like a very slow movement and it seems like there reaches a point where the movement is just like cut off, like it's just stopped.
And I'm here like talking sound and shouting sounds here.
But yeah, there's like something that's stopping the flow of this upward winding movement its just, like, very abrupt stop.
Um, so kind of looking at the cause of this stop, it's like there's vehicles moving in one direction, like they're all going in one direction. But then I'm seeing this one vehicle. Yeah, it's another. Like, That seems to be kind of this place - like just in the way that's stopped and this is a very small area compared to like all the natural like land that's in foliage nearby. Like the manmade land here is very like a very narrow, small area.

So, there's this slow movement that just stops.
There's this pretty large vehicle that's stopped here.
And I have a few subjects - like maybe five subjects, that seem to be like they're standing outside of this vehicle - and subjects in their remaining vehicles they're just really like, Oh, what's going on? Um, you know, why, why are we following? Where are we moving? And these subjects are just in the way, kind of blocking that movement.

So, if I look like there does seem to be a main like leader among these five, he's like a definitely a male subject - has like, uh, kind of scraggly appearance, like definitely unkempt look about him.
Um, all the subjects are wearing this dark, dark hued clothing, maybe like dark green kind of appearance. And I'm seeing kind of like a hat - some facial hair and he does look a bit age like I would say, this guy could be like 40 like - around the age of 40. And this has like a dishevelled appearance to him.

So, the subjects; what I'm hearing - like loud sounds mostly like talking, shouting sounds kind of going back and forth between the subjects and the vehicle, and the subjects just kind of shouting like - obviously like he needs to get out the way and he's not getting out of the way.

And doing a deep mind probe of this subject.
He definitely feels kind of angry or assertive.
Um, definitely not someone I would trust.
Like, this guy is a little sketchy. Like, but also like, he's the leader of this group of subjects, but he's also seems like he doesn't have a lot of real power outside of this - like kind of weak or not really important in general. But he managed to get here like he was maybe told to come here and purposely like block off this area too. So these subjects cannot continue to go up and reach this like town at the top of the mountain here.
The subject is definitely not well perceived by even like the subjects that are with him, but the remaining subjects in the area.
Um, so I would say for these subjects that are kind of on the other side of this, they, they don't recognize this main subject here. Its like where is this guy coming from? Why like they're just, they don't understand, like, why is he not moving out the way? But these subjects are not.
It seems like there's not much they can do unless these subjects choose to move, they can't really do anything. That's that's what it's feeling like. So, they're just kind of like waiting, waiting, but they do.
Their intention is to reach this town and these subjects seem to be more connected, like the subjects in these vehicles moving up in the subjects at this town here.
And also looking at the subjects here, they feel a bit worried or definitely confused, as if they're expecting these subjects (to move) - they're like waiting, waiting. They shouldn't have been held up this long. I guess,
And they have no idea what's going down, like going on at this like lower area.

So, the event that I have here –
I have like this upward movement throughout this very hilly, very mountainous area, with these subjects and this destination of this town in mind.
And it's been obstructed by this subject.
And it's just a large vehicle that seems to be blocking the road.
And it looks like these subjects maybe are very like foreign to this area - like they're no one really knows who they are, where they're coming from or why they're here.
But this subject knew that he had to get here at this specific time to stop these subjects from moving up there, but it now it's seeming like it wasn't super thought out as far as how they're going to handle what happens when they actually get here, besides just not moving.
And what I'm seeing; the importance of these subjects, what they have inside of these vehicles.
So, it's like a pretty large truck, but it also does seem a bit old, like it's not a newer looking truck - kind of rickety, like maybe not the most reliable looking vehicles, but they make it up here.

So inside, there's like maybe it's if I look inside, like the back of this, like if there is a subject standing here, there's these like piles of objects - it seems very disorganized, but kind of like boxes and containers.
And it's this is kind of like a bigger - like there's a lot of different seeing like shapes and sizes of containers. Most of them seem to be empty.
So maybe like they are intending to fill up these anti containers with whatever the subjects up here have going on.
There are a few is like liquids - like some of these like jars maybe have like a reddish brownish liquid in them - it doesn't seem to have much of a smell, but for the most part, most of these are empty and these have like a very hard texture. Like these are containers with a very hard texture.

So, what we have here is just this kind of small group of subjects preventing most of the other subjects that are familiar with this area - are familiar with this, like the land and like the specific trip - of going up the mountain to this town so they can make whatever exchange with these like containers.
.

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End of Session
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Projected SUMMARY FOR DECEMBER 2022
By Aziz Brown

Okay, so let's draw some conclusions from these data.
December 2022 is going to be an interesting month.

We have one session that focuses on a confrontation between two subjects, possibly with a death.
Two sessions seem to focus on what looks like major protests in an urban area.
One session seems to concern what looks like an attack on vehicles moving through a mountainous area. And there is one session that seems to focus on what appears to be a military attack on one or more vessels in water.

An interesting month. Let's watch the month of December roll out and see what happens. So that is it for our December 2022 edition of Farsight’s Human News, the news before It Happens. Thank you for watching.

Please also join us next month in January 2023 for another look into the future of Earth humans.

Also on FarsightPrime.com, be sure to look out for our next major Mysteries project that will appear in December, Galactic Defense, our Livestream events, Farsight’s ET News, the next highly unusual Intelligence Briefing, more conversations with Harvey, as well as new Farsight economic forecasts.

And remember, we do Farsight at Farsight. Farsight is our style of remote viewing. Vocabulary is important with these changing times.
I am Aziz Brown from Farsight. Stay ahead of the curve. Let the mainstream fade in the dust. Be there now.

End of Forecast for December 2022

Wow, you put a lot of effort in to this...

I am concerned about the point of view that Russia is doing badly regarding the Ukraine war. I am not taking sides in the conflict but I wont stand by and tolerate bad conclusive data.
When Russia starts a serious war I think you will all see something new.
Why does Farsight kling to the main stream narrative regarding this conflict? I think their conclusions based on not so related RV data is over confident and the percentage of truth as a result is very low. The data may be sound but the interpretation of it is crapola.

This doesnt inspire confidence in farsights RV conclusive data set when seasoned geo-politics data is well established and understood.

Other than that, I was very impressed with this Decembers RV data. I thought is was absolutely amazing.

This is an incredibly helpful service Del, I'll take a copy of this, please don't underestimate how helpful this is. Thanks!

Possible match - Relates to YEME JEANEÉ’s SESSION -
On December 12, 2022 Rallies were held outside the UK Embassy in NY, in the UK and Australia, to protest the extradition of Julian Assange.

There was such a limited amount of mainstream media coverage on this, it possible you didn't hear about it.

From the 2023 January Farsight Human News - Looking back at December 2022

Link for 2023 Farsight Human News Forecast -
https://www.farsightprime.com/forums/general/59820-2023-jan-farsight-human-news-transcript

REVIEW OF DECEMBER 2022 HUMAN NEWS FORECAST

COURTNEY - So anyway, you know, you had mentioned the summary of the Human News, what happened in December. So I have some notes I did on the sessions that we had for this December. And so how about I just go over those real quick, and then you take over, finish the rest of the show and show people the January stuff. Sounds good. Take it away.

COURTNEY - Okay. So the two major news events that affected the month of December were the Iranian protests, which are just right off the scale, and the China protests. So the Iranian protests and the China protests, but basically protests.

The Iranian protests are basically a Generation Z, Gen Z protest, especially focusing on women. And the China protests are protests that are focused on basically the government itself, especially in reaction to extreme COVID clampdown policies that they had. And then, so protests was the one thing.

And then they had the Ukrainian war, which ramped up in a different way. And that was the second biggest story.

So of those two big stories, Intysam’s session basically she had an urban area near water, subjects are gathered and protests were going on that were violently suppressed, and there were multiple deaths. There were shootings. So that really did reflect especially what happened in, and is still happening actually, in Iran.

And then Yeme had a very similar session where they had lots of subjects gathered outside in a major urban area. There was a political event, high energy that was filled with anger and chanting. Subjects were gathered on the streets, cold temperatures. They moved like a mob.

Major protests and that sort of match both the Chinese as well as the Iranian protests. So protest was really, really strong there. And then we had then there were those are the two major things.

And then we had your session, which was a confrontation between two subjects. And it looks like it was an assassination type of a session, but you basically had a confrontation between two subjects. And it was interesting. It was almost like, I'm thinking that that session might have been a metaphor because we had two major things happen in December, and both of them weren't the actual assassination or assassinations, the actual assassination, but big things related to major assassinations.

Japan had a major legal thing happen, and they were setting out to prosecute the guy who assassinated former Prime Minister Shinzo Abe. So that was a major thing where they finally cleared the way for everything. And it was a story of we're going to prosecute this guy now.

And then the other thing was that the US government released tens of thousands of new pages on the JFK assassination. You know, we have a JFK project at Farsight, and as far as we're concerned, these pages that were released did not show the real story of what actually happened, at least as far as the remote-viewing stuff is concerned. But it was still a huge release of information. It sort of releases the pressure, and the pressure cooker thing of people saying, you’ve got to release this. So if they release a bunch of stuff but don't release what actually happened, then it sort of releases the pressure that the government is on too. There's so much secrecy and so much stuff that's hidden. But anyway, we have those two major assassination type of things in the U.S., and they happened in December. Your session focused on that idea.

And then we had, Shantae had a clash in a mountainous area with trucks and other vehicles moving through the area. Cold temperatures, multiple small structures on land, vehicles. There was a backlog, and there was a lead truck that seemed disabled, and it looked like there was an attack of some type in the mountainous area. That really closely resembled the conflict that happened in December between India and Indian and Chinese troops in the Tawang district. So there's a district in India where there's disputed areas between India and China. And there was a very serious conflict, and there were a whole bunch of people got wounded on it between the Indian and Chinese troops. And we don't always get that reported so heavily in the United States. But there was a pretty big, pretty big incident between India and China in that district near the India Chinese border. Anyway, her session really reflected that an awful lot.

And then the last thing was Kahmia says she had an urban area near water, and events seem to occur on the water or right near the water. And it seemed like an airborne attack of one or more things on one or more water vessels, and some type of a non-surface structure was involved, some type of planned attack. I'm not sure what that was exactly, but there's an awful lot of fighting and shooting, especially with airborne attacks, with missiles coming from the planes in the Ukraine war. So that may have been one type of element of that war that's been going on. We don't always get the news of the specific events that are going on in the war. But there's a lot of stuff that's going on in the war, and the types of weapons that are used, a plane, a missile being shot out from the plane that reflects the types of stuff that is happening in that war.

But the big sessions were for protests, and the protests for Iran and China were really dominant. And then the Iranian stuff was there. So it looked like we had a good month for covering the types of stuff that appear, that did appear in December.

AZIZ - Yeah well Human News is always a tricky thing because there is a lot of news all over the world. I mean, there's a lot of people, a lot of different impactful news, news events, and quite often the mainstream media, when you look at just even one country's or an entire countries sources of what they're focusing on, it's a drop in the bucket, towards what's actually happening across the globe for a lot of people. And that's impacting a huge portion of populations all over.

COURTNEY - That's a big deal. I mean, I remember when you come back and tell me about stuff that's going on in Asia, and I had no idea that kind of stuff was going on in Asia. And you're telling me what's going on in Japan and Thailand because you know, you’re there, or in Korea or China or whatever. And in Africa, when I go there, it's like the United States is like a small story. They're interested in people, they're interested in what's happening there. And when I go there is like the whole news changes. It's like everything is different, and yeah.

End